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![Rally Before Sproul Hall occupation](images/fileicons/nodigital.png)
Date: 12/2/1964Call Number: KP 015Format: 1/4 7 1/2 ipsProducers: John Scott KeechProgram: Free Speech MovementCollection: General materials
This is a recording of the famous Free Speech Movement rally at Sproul Plaza in UC Berkeley, just before students occupied the administration building, Sproul Hall. Includes excerpts from Mario Savio, Michael Rossman, Charles Powell, Joan Baez, Marty Roiche, and John Scott Keech.
Note: tape begins in middle of an announcement and ends in the middle of a song.
![Speech by Malcolm X at the Democratic National Convention in Atlantic City, 1964](images/fileicons/nodigital.png)
Date: 12/20/1964Call Number: KP 056Format: 1/4 7 1/2 ipsProducers: Charles HobsonCollection: Malcolm X
Speech given at DNC about how some African countries won their independence through anger and violence. Black people must speak the language of the captors and recognize that what happens in Mississippi has nationwide impact. There is no difference between Northern and Southern Democrats because they work as a whole not as separate parts. Freedom is not something that is given to you, you must take it and Black people must be equipped to do that in the same way that others have done it in the past. Audio tape is cut off at the end.
![Rally Before Sproul Hall occupation](images/fileicons/nodigital.png)
Date: 12/2/1964Call Number: CD 301Format: CDProducers: John Scott KeechProgram: Free Speech MovementCollection: Compact discs and videos representing digitized copies of analog tapes
This is a recording of the famous Free Speech Movement rally at Sproul Plaza in UC Berkeley, just before students occupied the administration building, Sproul Hall. Includes excerpts from Mario Savio, Michael Rossman, Charles Powell, Joan Baez, Marty Roiche, and John Scott Keech.
Note: tape begins in middle of an announcement and ends in the middle of a song.
![Radio Free Dixie](images/fileicons/nodigital.png)
Date: 12/11/1964Call Number: RFW 005Format: CDProgram: Radio Free DixieCollection: Robert F. Williams!
We have no legal rights to reproduce or distribute this item!
Harlem Riots, criticism of reformist groups especially CORE, Forman, MLK who sell 'gradualism', elections, Detroit editorial. The show intros and IDs include: ("You're listening to Radio Free Dixie, covering the racist Southland like Paul Revere with a call of, 'Freedom Now!'," and "You are tuned to Radio Free Dixie, exposing US racism to the whole world in the year of revolution." Mostly music.
![Yugoslavia: Art, Architecture, and Film](images/fileicons/nodigital.png)
Date: 1/1/1964Call Number: CE 019Format: CassetteProducers: Colin EdwardsProgram: Yugoslavia: Art, Architecture, and FilmCollection: Colin Edwards Collection
Leading Yugoslav writer and critic discusses in detail history, influences, and current state of Yugoslav art, architecture, and film, especially the animated film industry, known worldwide for its sophistication.
![LeRoi Jones on Black Writers: Tell It Like It Is - Part 1](images/fileicons/nodigital.png)
Date: 9/20/1964Call Number: CE 127Format: 1/4 7 1/2 ipsProducers: Colin EdwardsCollection: Colin Edwards Collection
History of Negro writers and how they had to emerge from "below the veil of anxious politeness" that was set in place by monied white audiences to reveal the true "Black experience" in America. Includes references to most influential Black artists - from jazz musicians to writers. LeRoi Jones reads from article "LeRoi Jones Speaking."
![LeRoi Jones on Black Writers: Tell It Like It Is - Part 2](images/fileicons/nodigital.png)
Date: 9/20/1964Call Number: CE 128Format: 1/4 7 1/2 ipsProducers: Colin EdwardsCollection: Colin Edwards Collection
History of Black writers and how they had to emerge from "below the veil of anxious politeness" that was set in place by monied white audiences to reveal the true "Black experience" in America. Includes references to most influential Negro artists - from jazz musicians to writers. LeRoi Jones reads from article "LeRoi Jones Speaking."
![LeRoi Jones on Black Writers: Tell It Like It Is - Part 3](images/fileicons/nodigital.png)
Date: 9/20/1964Call Number: CE 129Format: 1/4 7 1/2 ipsProducers: Colin EdwardsCollection: Colin Edwards Collection
History of Black writers and how they had to emerge from "below the veil of anxious politeness" that was set in place by monied white audiences to reveal the true "Black experience" in America. Includes references to most influential Negro artists - from jazz musicians to writers. LeRoi Jones reads from article "LeRoi Jones Speaking."
![LeRoi Jones Reading of Poems](images/fileicons/nodigital.png)
Date: 12/20/1964Call Number: CE 130Format: 1/4 7 1/2 ipsProducers: Colin EdwardsCollection: Colin Edwards Collection
LeRoi Jones reading poems from his book "The Dead Lecturer". Includes mention of the influence Allen Ginsberg had on Jones' work.
![Kenneth Rexroth, Saunders Redding, Harvey Swados, and LeRoi Jones](images/fileicons/nodigital.png)
Date: 12/20/1964Call Number: CE 133Format: 1/4 7 1/2 ipsProducers: Colin EdwardsCollection: Colin Edwards Collection
About tensions and poor communication between different generations of Black writers, how disadvantaged subcultures (like Blacks) have trouble expressing themselves to conventional white audiences.