Search Help

How does this work?
There are many ways to search the collections of the Freedom Archives. Below is a brief guide that will help you conduct effective searches. Note, anytime you search for anything in the Freedom Archives, the first results that appear will be our digitized items. Information for items that have yet to be scanned or yet to be digitized can still be viewed, but only by clicking on the show link that will display the hidden (non-digitized) items. If you are interested in accessing these non-digitized materials, please email info@freedomarchives.org.
Exploring the Collections without the Search Bar
Under the heading Browse By Collection, you’ll notice most of the Freedom Archives’ major collections. These collections have an image as well as a short description of what you’ll find in that collection. Click on that image to instantly explore that specific collection.
Basic Searching
You can always type what you’re looking for into the search bar. Certain searches may generate hundreds of results, so sometimes it will help to use quotation marks to help narrow down your results. For instance, searching for the phrase Black Liberation will generate all of our holdings that contain the words Black and Liberation, while searching for “Black Liberation” (in quotation marks) will only generate our records that have those two words next to each other.
Advanced Searching
The Freedom Archives search site also understands Boolean search logic. Click on this link for a brief tutorial on how to use Boolean search logic. Our search function also understands “fuzzy searches.” Fuzzy searches utilize the (*) and will find matches even when users misspell words or enter in only partial words for the search. For example, searching for liber* will produce results for liberation/liberate/liberates/etc.
Keyword Searches
You’ll notice that under the heading KEYWORDS, there are a number of words, phrases or names that describe content. Sometimes these are also called “tags.” Clicking on these words is essentially the same as conducting a basic search.

Search Results

Women in Prison Women in Prison
Call Number: PM 210Format: Cass A & BCollection: Prisons - Women
Intervew of Women in Prison, Dublin, CA 1995. Political prisoners Dylcia Pagan, Linda Evans, Ida Robinson, and Marilyn Buck are asked to speak about themselves and why they are in prison. The women also discuss the GATT (General Agreement on Trade and Tariffs), NAFTA (North American Free Trade Agreement), the lack of wages and benefits for the poor and oppressed, and the wrongs of the IMF (International Monetary Fund). Ida Robinson speaks about families of ethnic minorities, and Marilyn Buck speaks about how political prisoners aren’t violent, they are just casualties during the conflict. The women discuss the state of the poor white woman, how is marginalized because no one is fighting for her and she has no representation.
A Poem for Three Pigs A Poem for Three Pigs
Date: 1/1/1974Call Number: CAA 040Format: 1/4 7 1/2 ipsProducers: CACollection: Arts, literature and poetry – a program series produced by Comunicacion Aztlan
A prison poem written and performed by Ruben Ruybal with live guitar accompaniment by Philip Serrano. Same as CD 395
Festival del Sexto Sol: SFState Gallery Lounge #2 Festival del Sexto Sol: SFState Gallery Lounge #2
Date: 4/1/1974Call Number: CAA 016Format: 1/4 7 1/2 ipsProducers: Comunicacion AztlanCollection: Arts, literature and poetry – a program series produced by Comunicacion Aztlan
Live poetry reading, includes: Roberto Vargas. Alejandro Murguia, Raul Salinas, Alurista and his music group. Same as CD 378.
Festival del Sexto Sol ( A) Festival del Sexto Sol ( A)
Date: 3/1/1974Call Number: CAA 021Format: 1/4 7 1/2 ipsProducers: Comunicacion AtzlanCollection: Arts, literature and poetry – a program series produced by Comunicacion Aztlan
Festival del Sexto Sol poetry reading with Roberto Vargas as the MC. Poets include: Raul Salinas, and Dorinda Moreno and her daughter Cynthia accompanies her on guitar and sings her original song.
Pedro Pietri Reads Pancho Cruz’s Prison Poetry Pedro Pietri Reads Pancho Cruz’s Prison Poetry
Call Number: CAA 117Format: 1/4 7 1/2 ipsProducers: Comunicacion AtzlanCollection: Arts, literature and poetry – a program series produced by Comunicacion Aztlan
Pedro Pietri reads Nuyorican Pancho Cruz’s prison poems. Cruz was a prisoner in NYC, recorded in 1971. Same as CD 385.
Rodrigo Reyes reads the poetry of Luis Talamantez Rodrigo Reyes reads the poetry of Luis Talamantez
Date: 10/25/1972Call Number: CAA 108Format: 1/4 7 1/2 ipsProducers: Comunicacion AztlanCollection: Arts, literature and poetry – a program series produced by Comunicacion Aztlan
Two poems of Luis Talamantez of the San Quentin Six - “Un Lamento” and “Al Pueblo-For Juan Corona.” Same as CD 384
Luis Talamantez poem Luis Talamantez poem
Date: 9/13/1973Call Number: CAA 109Format: 1/4 15 ipsProducers: Comunicacion AztlanCollection: Arts, literature and poetry – a program series produced by Comunicacion Aztlan
Ruben Ruybal reads a poem of Luis Talamantez, with Phil Serrano on guitar. “Juan Lopez Caballos.” Same as CD 384
Nuyorican poets in California; Poetry of Elias Hruska Cortes; A Poem for Three Pigs; Poems for and by Pablo Neruda; Nina Serrano Live Poetry.

Nuyorican poets in California; Poetry of Elias Hruska Cortes; A Poem for Three Pigs; Poems for and by Pablo Neruda; Nina Serrano Live Poetry.
Date: 6/1/1973Call Number: CD 395Format: CDCollection: Compact discs and videos representing digitized copies of analog tapes
Three Nuyorican poets read their poems: Victor Hernandez Cruz, Miguel Algarin, & Miguel Pinero. Same as CAA 011 Three poems read and written by Elias Hruska Cortes and a song by Rafael Ramirez 1) El Tiempo es Ya, poem about the Mission 2) Song 3) Alma Bronze, poem about Viet Nam 4) Yellow Peril Woman Same as CAA 039 A prison poem written and performed by Ruben Ruybal with live guitar accompaniment by Philip Serrano. Same as CAA 040 A poem by Pablo Neruda read by Nina Serrano and a poem to Pablo Neruda written and read by Nina Serrano. Recorded by phone. Same as CAA 041 Poems written and read by Nina Serrano. 5/17/1973 1) To Roque Dalton 2) Memorium 3) Must I hear you bragging Conquistador? Longshoreman’s Hall on 2/18/72 4) Chinatown Fair 5) Woman Pirate 6) To Roque, before leaving to Fight in Unknown terrain Same as CD 395 Same as CAA 042
Poetry and Music by Ruben Ruyal & Phil Serrano; Audio from the documentary "Nueva Havana’" neighborhood in Chile Poetry and Music by Ruben Ruyal & Phil Serrano; Audio from the documentary "Nueva Havana’" neighborhood in Chile
Call Number: CD 411Format: CDProducers: Communicacion AztlanProgram: Communicacion AztlanCollection: Compact discs and videos representing digitized copies of analog tapes
This tape begins with a poem by Ruben Ruyal called ‘Cat in the Mission Nights’ about the conditions in San Francisco’s Mission district and how they connect to the larger US society. Ruben then reads one of his poems about about the conditions and struggles prisoners go through. Both poems are read while Phil Serrano plays guitar in the background. Phil then sings a song he wrote called ‘Graciano’ which is about a young man in college who was killed by police while he was protesting at Wounded Knee. The CD ends with audio from a Chilean film shown that night called ‘Nueva Havana’ about a neighborhood in Chile created by peasants and workers. It includes individual stories and some Chilean political history. Same as CAA 067
Women in Prison Women in Prison
Intervew of Women in Prison, Dublin, CA 1995. Political prisoners Dylcia Pagan, Linda Evans, Ida Robinson, and Marilyn Buck are asked to speak about themselves and why they are in prison. The women also discuss the GATT (General Agreement on Trade and Tariffs), NAFTA (North American Free Trade Agreement), the lack of wages and benefits for the poor and oppressed, and the wrongs of the IMF (International Monetary Fund). Ida Robinson speaks about families of ethnic minorities, and Marilyn Buck speaks about how political prisoners aren’t violent, they are just casualties during the conflict. The women discuss the state of the poor white woman, how is marginalized because no one is fighting for her and she has no representation.