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Race, Class and Gender Workshop
Call Number: JG/ 105Format: CassetteProgram: National Gay and Lesbian Task Force Policy InstituteCollection: Programs produced by Judy Gerber and Laurie Simms
This is a recording is of a workshop and moderated discussion about the intersections of class, race, and gender in LGBT movements. The workshop is held at a 1993 conference sponsored by the National Gay and Lesbian Task Force Policy Institute. Several critiques on the direction that the mainstream LGBT movement is going in are made, including: The movement catering to the image of the affluent white gay male, problematic assumptions about and comparisons to the Civil Rights movement, the closet as a classist construction, and the lack of dialogue on the impact of economic policy. Other issues addressed are: gays in the military, strategies on dealing with the Right, and the spectacle of queerness in the media.
Les Chanteuses Africaines
Broadcasting from the Atlanta-based WFRG station, Alicia Banks hosts her weekly radio program "Les Chanteuses Africaines: The African Female Singers featuring the Musical & Literary Voices of Black Women". In this particular recording, the show at hand is part of a special marathon of gay and lesbian themed programming at WFRG. During the course of the show, Banks addresses the intersecting issues of race, homophobia and the AIDS crisis. She also critically examines contradictions of homophobia within racially oppressed communities, and dissects the notion of the need of a singular construct of closet and coming out. Included are clips of stand-up comedy from Lea Delaria, Whoopi Goldberg and Sam Kinison, There are also songs performed by and are about LGBT people. The songs “B.D. Woman Blues” by Lucille Bogen and “The Prove It To Me Blues” by Ma Rainey remain in good audio quality, while some of the other songs included are of a poorer recording quality.
A Defiant Heart: Focus on Sodomy
Date: 1/8/1990Call Number: JG/ 104Format: CassetteCollection: Programs produced by Judy Gerber and Laurie Simms
In 1986, the U.S. Supreme Court had upheld Georgia state sodomy laws in the landmark case "Bowers vs. Hardwick". Recorded here is a mass demonstration against such laws. The demonstration takes place at the Georgia state capitol on the opening day of its 1990 state legislature. Groups represented ranged from the Aids Coalition To Unleash Power (ACT UP), the American Civil Liberties Union (ACLU), and the National Organization for Women (NOW) to religious groups to advocates for AIDS awareness, pro-choice, anti-racism, and anti-ableism. Speakers touched upon many subjects, from the importance of choice in and out of the bedroom, the danger of sodomy laws' silencing consequences in the face of the AIDS crisis to sodomy laws' place in the long-standing history of persecution in the U.S. and in the world. Many of the speeches featured are intended to rally the crowd and do not go into great depth.
Growing Up on Kearny Street" Tape 2 (EH)
Date: 8/4/1997Call Number: IH 013AFormat: Cass ACollection: The International Hotel struggle and the Filipino community
Second part of a symposium named "Growing Up on Kearny Street". Contains an unidentified man recollecting his experiences on Kearney Street and his history in the army (WWII). He briefly reflects on the racial climate in the armed forces. Tony Robles, the nephew of Al Robles, recites poetry and reminisces about his experience growing up in San Francisco. To conclude the symposium, a unidentified woman tells of her family history and their journey to America throughout the 1920s and 1940s. Also sheds light on the social ills such as conditions of Kearny Street and surrounding areas during her years as a child and teenager. The biggest social ill was women not being allowed to live on Kearny street and the dangers women and children face.
Interview with Luisa Castro (EH)
Date: 10/8/1997Call Number: IH 016AFormat: Cass ACollection: The International Hotel struggle and the Filipino community
Short, informal interview of writer/journalist/activist Luisa Castro conducted by Estella Habal. Luisa explains her background as a mixed Black and Filipina woman who grew up in Portland, Oregon with her mother. Growing up, she never belonged in the white community and knew from an early age that she had no place in the white race. She identifies Lloyd Wake and Ron Takaki as two professors who actively supported the third world strike.
Jeanette Lazan Interview [part 2] (EH)
Date: 11/13/1990Call Number: IH 023Format: Cass A & BCollection: The International Hotel struggle and the Filipino community
Part 2 of interview between Estella Habal and Jeanette Lazam begins with the internal dynamics of the I-Hotel struggle. Lazam started with the UFA, which got her involved with the IH. Still a student at SF state, Lazan participated in a program that connected students with social service agencies. At that time, the UFA represented the tenants of IH as well as all housing issues in Manilatown. After spending a year Philippines, Lazan returned to San Francisco with a greater sense of cultural sensitivity. With motivation to continue activist work, she joined the KDP in '74. As her work became more politicized, Lazam moved into the hotel and befriended many of the tenants. With age and gender differences between her and the tenants, Lazan and the tenants still shared a working class identity that provided unity. Lazam describes the Roosevelt Hotel plan to pressure Moscone's declaration for eminent domain, and the plan for a buyback. Lazam ends with saying Cultural nationalism and its role in the movement creates tension between seeing the goal of saving the ethnic community of Manilatown and protecting all people's right to obtain housing.
The Sugar Cain Manong: Rapping with 20,00 Carabaos in the Dark, Maurice Passion.
Date: 5/10/1985Call Number: IH 053Producers: Al RoblesCollection: The International Hotel struggle and the Filipino community
Maurice Passion talks of many subjects that a usual Manilatown manong has gone through in his life. Maurice begins with telling Al Robles about how when he was young there were no Filipina women in San Francisco. Maurice explained his experience dating white women and how white men were suspicious of him and often threaten to beat him up. He further discusses the dynamics and dangers of inter-racial dating during that time. He also contrasts relationships in America with relationships in the Philippines. Maurice explains arranged marriages and trends of infidelity with Filipino men. Towards the end of the interview, Maurice describes vanishing Filipino businesses in Manilatown and the hardship after the eviction. Seven years after the eviction it is still a hole in the ground.
International Conference on Penal Abolition (ICOPA), 9th annual opening plenary panel
Recording is from the opening panel at ICOPA conference in Toronto, Canada. Panelists include Mark Mauer, who discusses how the criminal justice system has come to punish people primarily in low-income communities of color; John Clark from Ontario Coalition Against Poverty, who discusses how law and criminality are used to enforce the needs of power and privilege and how this affects the poor; and Patricia Montour Angus, a Mohawk woman from Canada, who discusses the historical and contemporary relationshpi between Canadian law and its repression and force used against aboriginal people particularly now with incarceration.
"...And Ain't I A Woman?"
Date: 1/1/1977Call Number: Vin 004Format: VinylProducers: Paredon Records, New Harmony Sisterhood BandCollection: Programs produced by Judy Gerber and Laurie Simms
This album by the New Harmony Sisterhood Band contains folk songs centered on issues of women's liberation, gender normativity, and labor unions. The New Harmony Sisterhood Band formed in 1973 by a group of female students who wanted to re-imagine traditional folk songs and write songs with politically conscious, feminist messages. Includes extensive liner notes.
"...And Ain't I A Woman?"
Date: 1/1/1977Call Number: Vin 027Format: VinylProducers: Paredon Records, New Harmony Sisterhood BandCollection: General materials
This album by the New Harmony Sisterhood Band contains folk songs centered on issues of women's liberation, gender normativity, and labor unions. The New Harmony Sisterhood Band formed in 1973 by a group of female students who wanted to re-imagine traditional folk songs and write songs with politically conscious, feminist messages. Includes extensive liner notes.
