Search Results
30th Anniversary of the murder of Fred Hampton
Date: 12/4/1999Call Number: PM 076Format: 1/4 7 1/2 ipsProducers: Claude Marks, Lincoln BergmanCollection: Fred Hampton
Program made for the 30th anniversary of the murder of Chicago Panther leader, Fred Hampton. Includes portions of a speech made by Hampton in April, 1969 at the University of Chicago, comments by Akua Ngeri (his wife at the time) from an interview by Kiilu Nyasha, and portions of an original broadcast on Nothing is more Precious than from 1974.
The Murder of Fred Hampton - Part 1
Date: 1/1/1971Call Number: CD 064Format: CDProducers: Film Group of Chicago: Mike GrayCollection: Fred Hampton
Audio from film.
Directed by Howard Alk. Produced by Mike Gray. Associate Producer: Emmett Grogan; Camera: Mike Gray, Howard Alk; Sound: Jones Cullinan, John Mason, Chuck Olin; Editor: Howard Alk; Assistant editors: Jones Cullinan, John Mason; Additional Photography: Gordon Quinn; Production Manager: Jim Dennett.
In 1968 the Film Group, a Chicago production company, began filming a documentary about the Illinois chapter of the Black Panther Party and their chairman Fred Hampton. A fiery orator, Hampton was only 20 years old at the time, but his electrifying words and actions were inspiring young Black people to demand respect and to insist that their power and voice be felt in local politics, in any politics. But Fred Hampton's dream included all people when he proclaimed in the voice of the prophet, "... if we don't stop fascism it'll stop us all."
At that same moment the FBI/CIA was implementing their notorious domestic counterintelligence program (COINTELPRO) aimed at illegally suppressing domestic dissent and aimed especially at growing radical political organizations like the Black Panther Party. One FBI memo stated their charge as the need to "prevent the rise of a 'messiah' who could unite and electrify the militant black antinationalist movement." Working with local police departments, the government moved against Black Panther chapters and leaders across the country.
On December 4, 1969, in a predawn FBI-directed Chicago police raid, four Panthers suffered gunshot wounds, and Mark Clark and Fred Hampton were murdered. Within hours, Panthers arranged to get the Film Group crew into the scene and they were able to record the carnage. The film shows vividly what the police do to those who dare to openly, aggressively challenge government authority. In addition, the footage of the bloody, bullet-riddled wreckage directly contradicted the State's Attorney's version of the raid, and so filmmakers and Panthers came together to prove that Hampton had been the designated target of the violent, punitive raid. The film's inquiry pursues official spokesmen and traps them in their own lies and attempt at a cover-up of a brutal orchestrated assassination.
The Murder of Fred Hampton - Part 2
Date: 1/1/1971Call Number: CD 065Format: CDProducers: Film Group of Chicago: Mike GrayCollection: Fred Hampton
Audio from film.
Directed by Howard Alk. Produced by Mike Gray. Associate Producer: Emmett Grogan; Camera: Mike Gray, Howard Alk; Sound: Jones Cullinan, John Mason, Chuck Olin; Editor: Howard Alk; Assistant editors: Jones Cullinan, John Mason; Additional Photography: Gordon Quinn; Production Manager: Jim Dennett.
In 1968 the Film Group, a Chicago production company, began filming a documentary about the Illinois chapter of the Black Panther Party and their chairman Fred Hampton. A fiery orator, Hampton was only 20 years old at the time, but his electrifying words and actions were inspiring young Black people to demand respect and to insist that their power and voice be felt in local politics, in any politics. But Fred Hampton's dream included all people when he proclaimed in the voice of the prophet, "... if we don't stop fascism it'll stop us all."
At that same moment the FBI/CIA was implementing their notorious domestic counterintelligence program (COINTELPRO) aimed at illegally suppressing domestic dissent and aimed especially at growing radical political organizations like the Black Panther Party. One FBI memo stated their charge as the need to "prevent the rise of a 'messiah' who could unite and electrify the militant black antinationalist movement." Working with local police departments, the government moved against Black Panther chapters and leaders across the country.
On December 4, 1969, in a predawn FBI-directed Chicago police raid, four Panthers suffered gunshot wounds, and Mark Clark and Fred Hampton were murdered. Within hours, Panthers arranged to get the Film Group crew into the scene and they were able to record the carnage. The film shows vividly what the police do to those who dare to openly, aggressively challenge government authority. In addition, the footage of the bloody, bullet-riddled wreckage directly contradicted the State's Attorney's version of the raid, and so filmmakers and Panthers came together to prove that Hampton had been the designated target of the violent, punitive raid. The film's inquiry pursues official spokesmen and traps them in their own lies and attempt at a cover-up of a brutal orchestrated assassination.
The Murder of Fred Hampton
Date: 1/1/1971Call Number: V 158Format: VHSProducers: Film Group of Chicago: Mike GrayCollection: Fred Hampton
Directed by Howard Alk. Produced by Mike Gray. Associate Producer: Emmett Grogan; Camera: Mike Gray, Howard Alk; Sound: Jones Cullinan, John Mason, Chuck Olin; Editor: Howard Alk; Assistant editors: Jones Cullinan, John Mason; Additional Photography: Gordon Quinn; Production Manager: Jim Dennett.
In 1968 the Film Group, a Chicago production company, began filming a documentary about the Illinois chapter of the Black Panther Party and their chairman Fred Hampton. A fiery orator, Hampton was only 20 years old at the time, but his electrifying words and actions were inspiring young Black people to demand respect and to insist that their power and voice be felt in local politics, in any politics. But Fred Hampton's dream included all people when he proclaimed in the voice of the prophet, "... if we don't stop fascism it'll stop us all."
At that same moment the FBI/CIA was implementing their notorious domestic counterintelligence program (COINTELPRO) aimed at illegally suppressing domestic dissent and aimed especially at growing radical political organizations like the Black Panther Party. One FBI memo stated their charge as the need to "prevent the rise of a 'messiah' who could unite and electrify the militant black antinationalist movement." Working with local police departments, the government moved against Black Panther chapters and leaders across the country.
On December 4, 1969, in a predawn FBI-directed Chicago police raid, four Panthers suffered gunshot wounds, and Mark Clark and Fred Hampton were murdered. Within hours, Panthers arranged to get the Film Group crew into the scene and they were able to record the carnage. The film shows vividly what the police do to those who dare to openly, aggressively challenge government authority. In addition, the footage of the bloody, bullet-riddled wreckage directly contradicted the State's Attorney's version of the raid, and so filmmakers and Panthers came together to prove that Hampton had been the designated target of the violent, punitive raid. The film's inquiry pursues official spokesmen and traps them in their own lies and attempt at a cover-up of a brutal orchestrated assassination.
30th Anniversary of the murder of Fred Hampton
Date: 12/4/1999Call Number: CD 414Format: CDProducers: Claude Marks, Lincoln BergmanCollection: Fred Hampton
Program made for the 30th anniversary of the murder of Chicago Panther leader, Fred Hampton. Includes portions of a speech made by Hampton in April, 1969 at the University of Chicago, comments by Akua Ngeri (his wife at the time) from an interview by Kiilu Nyasha, and portions of an original broadcast on Nothing is more Precious than from 1974.
The Murder of Fred Hampton
Date: 1/1/1971Call Number: V 243Format: DVDProducers: Film Group of Chicago: Mike GrayCollection: Fred Hampton
Directed by Howard Alk. Produced by Mike Gray. Associate Producer: Emmett Grogan; Camera: Mike Gray, Howard Alk; Sound: Jones Cullinan, John Mason, Chuck Olin; Editor: Howard Alk; Assistant editors: Jones Cullinan, John Mason; Additional Photography: Gordon Quinn; Production Manager: Jim Dennett.
In 1968 the Film Group, a Chicago production company, began filming a documentary about the Illinois chapter of the Black Panther Party and their chairman Fred Hampton. A fiery orator, Hampton was only 20 years old at the time, but his electrifying words and actions were inspiring young Black people to demand respect and to insist that their power and voice be felt in local politics, in any politics. But Fred Hampton's dream included all people when he proclaimed in the voice of the prophet, "... if we don't stop fascism it'll stop us all."
At that same moment the FBI/CIA was implementing their notorious domestic counterintelligence program (COINTELPRO) aimed at illegally suppressing domestic dissent and aimed especially at growing radical political organizations like the Black Panther Party. One FBI memo stated their charge as the need to "prevent the rise of a 'messiah' who could unite and electrify the militant black antinationalist movement." Working with local police departments, the government moved against Black Panther chapters and leaders across the country.
On December 4, 1969, in a predawn FBI-directed Chicago police raid, four Panthers suffered gunshot wounds, and Mark Clark and Fred Hampton were murdered. Within hours, Panthers arranged to get the Film Group crew into the scene and they were able to record the carnage. The film shows vividly what the police do to those who dare to openly, aggressively challenge government authority. In addition, the footage of the bloody, bullet-riddled wreckage directly contradicted the State's Attorney's version of the raid, and so filmmakers and Panthers came together to prove that Hampton had been the designated target of the violent, punitive raid. The film's inquiry pursues official spokesmen and traps them in their own lies and attempt at a cover-up of a brutal orchestrated assassination.
American Revolution 2
Date: 1/1/1969Call Number: V 244Format: DVDProducers: Howard Alk, Mike GrayCollection: Videos in many formats – both camera originals as well as reference materials
A gritty but essential documentary charting social turbulences in late 1960's Chicago. American Revolution 2 includes footage of the 1968 Democratic Convention protest and riot, a critique of the events by working class African-Americans in Chicago, and attempts by the Black Panther Party to organize poor, southern white youths on the city's north side. Using direct sound, a handheld camera, no script, black-and-white film stock, and natural lighting, the directors' no-frills approach appropriately reflects the raw energy of this upheaval.
End of a Nightstick "Police Brutality"
Call Number: V 272Format: VHSProducers: Peter KuttnerProgram: PBSCollection: Videos in many formats – both camera originals as well as reference materials
In the late 1980's and throughout the 90's Commander Jon Burge and the Chicago Police Department brutalized men of color on the streets. The people of the community organized and created the Task Force to Confront Police Violence. As a result of community organizing, Jon Burge was eventually removed as commander of the Chicago Police Department.
The End of the Nightstick
Date: 1/1/1993Call Number: V 364Format: VHSProducers: Peter Kuttner, Cyndi Moran, Eric SchollCollection: Videos in many formats – both camera originals as well as reference materials
For 20 years in Chicago, the press and authorities turned deaf ears to allegations of brutal interrogations and torture by Chicago Police Commander Jon Burge.
Victims speak out and the film investigates charges of institutional racism, violence and cover-up. It also tells the story of a resistance movement, as local activist groups, including the Task Force to Confront Police Violence, refuse to let testimonies of police violence remain buried.
The Murder of Fred Hampton (Part 1)
Date: 1/1/1971Call Number: C 10 100Format: DV CamProducers: Film Group of Chicago: Mike GrayCollection: COINTELPRO 101 Raw Materials
Directed by Howard Alk. Produced by Mike Gray. Associate Producer: Emmett Grogan; Camera: Mike Gray, Howard Alk; Sound: Jones Cullinan, John Mason, Chuck Olin; Editor: Howard Alk; Assistant editors: Jones Cullinan, John Mason; Additional Photography: Gordon Quinn; Production Manager: Jim Dennett.
In 1968 the Film Group, a Chicago production company, began filming a documentary about the Illinois chapter of the Black Panther Party and their chairman Fred Hampton. A fiery orator, Hampton was only 20 years old at the time, but his electrifying words and actions were inspiring young Black people to demand respect and to insist that their power and voice be felt in local politics, in any politics. But Fred Hampton's dream included all people when he proclaimed in the voice of the prophet, "... if we don't stop fascism it'll stop us all."
At that same moment the FBI/CIA was implementing their notorious domestic counterintelligence program (COINTELPRO) aimed at illegally suppressing domestic dissent and aimed especially at growing radical political organizations like the Black Panther Party. One FBI memo stated their charge as the need to "prevent the rise of a 'messiah' who could unite and electrify the militant black antinationalist movement." Working with local police departments, the government moved against Black Panther chapters and leaders across the country.
On December 4, 1969, in a predawn FBI-directed Chicago police raid, four Panthers suffered gunshot wounds, and Mark Clark and Fred Hampton were murdered. Within hours, Panthers arranged to get the Film Group crew into the scene and they were able to record the carnage. The film shows vividly what the police do to those who dare to openly, aggressively challenge government authority. In addition, the footage of the bloody, bullet-riddled wreckage directly contradicted the State's Attorney's version of the raid, and so filmmakers and Panthers came together to prove that Hampton had been the designated target of the violent, punitive raid. The film's inquiry pursues official spokesmen and traps them in their own lies and attempt at a cover-up of a brutal orchestrated assassination.
