[News] Israeli Army’s Lies Can No Longer Salvage Its Image

[Anti-Imperialist News]

https://www.counterpunch.org/2018/03/06/israeli-armys-lies-can-no-longer-salvage-its-image/ 



  Israeli Army’s Lies Can No Longer Salvage Its Image

by Jonathan Cook - March 6, 2018 
<https://www.counterpunch.org/author/jonathan-cook/>

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It is has been a very bad week for those claiming Israel has the most 
moral army in the world. Here’s a small sample of abuses of Palestinians 
in recent days in which the Israeli army was caught lying.

A child horrifically injured by soldiers was arrested and terrified into 
signing a false confession that he was hurt in a bicycle accident. A man 
who, it was claimed, had died of tear-gas inhalation was actually shot 
at point-blank range, then savagely beaten by a mob of soldiers and left 
to die. And soldiers threw a tear gas canister at a Palestinian couple, 
baby in arms, as they fled for safety during a military invasion of 
their village.

In the early 2000s, at the dawn of the social media revolution, Israelis 
used to dismiss filmed evidence of brutality by their soldiers as 
fakery. It was what they called “Pallywood” – a conflation of 
Palestinian and Hollywood.

In truth, however, it was the Israeli military, not the Palestinians, 
that needed to manufacture a more convenient version of reality.

Last week, it emerged, Israeli officials had conceded to a military 
court that the army had beaten and locked up a group of Palestinian 
reporters as part of an explicit policy of stopping journalists from 
covering abuses by its soldiers.

Israel’s deceptions have a long history. Back in the 1970s, a young 
Juliano Meir-Khamis, later to become one of Israel’s most celebrated 
actors, was assigned the job of carrying a weapons bag on operations in 
the Jenin refugee camp in the West Bank. When Palestinian women or 
children were killed, he placed a weapon next to the body.

In one incident, when soldiers playing around with a shoulder-launcher 
fired a missile at a donkey, and the 12-year-old girl riding it, 
Meir-Khamis was ordered to put explosives on their remains.

That occurred before the Palestinians’ first mass uprising against the 
occupation erupted in the late 1980s. Then, the defence minister Yitzhak 
Rabin – later given a Hollywood-style makeover himself as a peacemaker – 
urged troops to “break the bones” of Palestinians to stop their 
liberation struggle.

The desperate, and sometimes self-sabotaging, lengths Israel takes to 
try to salvage its image were underscored last week when 15-year-old 
Mohammed Tamimi was grabbed from his bed in a night raid.

Back in December he was shot in the face by soldiers during an invasion 
of his village of Nabi Saleh. Doctors saved his life, but he was left 
with a misshapen head and a section of skull missing.

Mohammed’s suffering made headlines because he was a bit-player in a 
larger drama. Shortly after he was shot, a video recorded his cousin, 
16-year-old Ahed Tamimi, slapping a soldier nearby after he entered her 
home.

Ahed, who is in jail awaiting trial, was already a Palestinian 
resistance icon. Now she has become a symbol too of Israel’s 
victimisation of children.

So, Israel began work on recrafting the narrative: of Ahed as a 
terrorist and provocateur.

It emerged that a government minister, Michael Oren, had even set up a 
secret committee to try to prove that Ahed and her family were really 
paid actors, not Palestinians, there to “make Israel look bad”. The 
Pallywood delusion had gone into overdrive.

Last week events took a new turn as Mohammed and other relatives were 
seized, even though he is still gravely ill. Dragged off to an 
interrogation cell, he was denied access to a lawyer or parent.

Shortly afterwards, Israel produced a signed confession stating that 
Mohammed’s horrific injuries were not Israel’s responsibility but wounds 
inflicted in a bicycle crash.

Yoav Mordechai, the occupation’s top official, trumpeted proof of a 
Palestinian “culture of lies and incitement”. Mohammed’s injuries were 
“fake news”, the Israeli media dutifully reported.

Deprived of a justification for slapping an occupation soldier, Ahed can 
now be locked away by military judges. Except that witnesses, phone 
records and hospital documentation, including brain scans, all prove 
that Mohammed was shot.

This was simply another of Israellywood’s endless productions to 
automatically confer guilt on Palestinians. The hundreds of children on 
Israel’s incarceration production line each year have to sign 
confessions – or plea bargains – to win jail-sentence reductions from 
courts with near-100% conviction rates.

It is more Franz Kafka than Hollywood.

A second army narrative unravelled last week. CCTV showed Yasin Saradih, 
35, being shot at point-blank range during an invasion of Jericho, then 
savagely beaten by soldiers as he lay wounded, and left to bleed to death.

It was an unexceptional incident. A report by Amnesty International last 
month noted that many of the dozens of Palestinians killed in 2017 
appeared to be victims of extra-judicial executions.

Before footage of Saradih’s killing surfaced, the army issued a series 
of false statements, including that he died from tear-gas inhalation, 
received first-aid treatment and was armed with a knife. The video 
disproves all of that.

Over the past two years, dozens of Palestinians, including women and 
children, have been shot in similarly suspicious circumstances. 
Invariably the army concludes that they were killed while attacking 
soldiers with a knife – Israel even named this period of unrest a “knife 
intifada”.

Are soldiers today carrying a “knife bag”, just as Meir-Khamis once 
carried a weapons bag?

A half-century of occupation has not only corrupted generations of 
teenage Israeli soldiers who have been allowed to lord it over 
Palestinians. It has also needed an industry of lies and self-deceptions 
to make sure the consciences of Israelis are never clouded by a moment 
of doubt – that maybe their army is not so moral after all.

/A version of this article first appeared in the National, Abu Dhabi./

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