[News] Safiya Bukhari's "The War Before"
Anti-Imperialist News
news at freedomarchives.org
Fri Jan 8 12:01:43 EST 2010
http://www.counterpunch.org/jacobs01082010.html
January 8 - 10, 2010
Safiya Bukhari's "The War Before"
A Life Worth Saving
By RON JACOBS
In 1968, Brooklyn College student Bernice Jones volunteered to work
in the Black Panther Party's (BPP) breakfast program in Harlem, New
York as part of her sorority's social service pledge. This decision
was to become the defining moment in her life. Much like Kwame
Toure's (Stokely Carmichael) decision to attend Howard University,
Jones' volunteering to serve breakfast in Harlem would begin a life
of revolutionary organizing. Unable to go along with the BPP's
politics at first, Jones' gradual understanding that poverty and
police brutality was the order of the day for many US residents
convinced her to join the Black Panther Party and become one of its
primary New York organizers. Let me emphasize, she was an
organizer. She stayed in the trenches and led by example.
Within two years, her decision would put her in the middle of the US
government's war on the Panthers. This was a time of lies, rumors and
murder--much of it engineered by the Department of Justice and the
FBI--designed to destroy the Party once and for all. Bernice Jones
eventually took the name Safiya Bukhari and became a Muslim. She
spent time in prison and raised a child. She died in 2005. After
her mother's death, Bukhari's daughter approached former Weather
Underground member Laura Whitehorn with a collection of writings and
speeches Safiya had saved and asked if she would edit them into a memoir.
The book, titled
<http://www.amazon.com/exec/obidos/ASIN/1558616101/counterpunchmaga>The
War Before, is an unconventional memoir. It is composed of journal
entries, articles, notes and speeches. These writings were never
necessarily meant to be published as a memoir. Instead, they are the
works of a relentless revolutionary organizer, prisoner, and modern
African-American woman. There is personal material here reflecting
on Bukhari's conversion to Islam and her understanding of its place
in her life as a revolutionary. There are also descriptions of the
politics and workings of the New York Panthers and the successor
organization the Black Liberation Army (BLA). There are speeches
about political prisoners in the United States and memories of her
life in the BPP. Together, the sum is considerably greater than the
parts. Like a well-composed musical tone poem, the reader leaves
this book with a sense of understanding and fulfillment like that
experienced after a particularly rewarding performance of such a piece.
The history of the 1960s and 1970s remains a point of strong and
divisive contention despite the best efforts of commentators,
politicians and many historians to bury the period. The flurry of
outrage in 2008 over former Weather Underground member Bill
Ayers' tangential association with Barack Obama proves this. In
general, one is mostly presented with images of long-haired young
white people smoking pot or protesting and African-Americans getting
hosed by police or wearing leather jackets and carrying guns. These
images and the often wistful tales that accompany them ignore the
essential reality of the period. That reality being that the social,
culture and political establishment throughout the world, especially
in the West, was shaken to its foundations. Despite the best efforts
to delete this reality from history, it continues to hover around the
edges of our current conversation, occasionally taking a place
somewhere close to center stage. In the United States, the Black
Panther Party was an essential part of the elements that did the
shaking. Safiya Bukhari was an essential part of that Party.
The contextual narrative provided by Laura Whitehorn describes the
world as it was perceived by many in the US Left during the period
covered by Bukhari's writings. It is a world where injustice exists
in the daily lives of prisoners and in the hailstorm of bullets fired
into Black Panthers Fred Hampton and Mark Clark by a death squad made
up of Illinois law enforcement with the FBI's assistance. It is also
a world where personalities, politics and paranoia combined to make a
stew stirred to a sometimes deadly boil by that very same FBI and its
henchmen in the White House and elsewhere throughout the US
political and law enforcement establishment. Simultaneously, it is
a world where hope refuses to die and the struggle for justice and
freedom continues despite incredible odds.
In the afterword to
<http://www.amazon.com/exec/obidos/ASIN/1558616101/counterpunchmaga>The
War Before political prisoner, journalist and former Black Panther
Mumia Abu Jamal remembers Bukhari from when he was a teenage member
of the BPP and working out of its office in the Bronx. He writes of
her relentless commitment and the lessons that such commitment
provided to all, young and old. Her untimely death was not the only
tragedy in her passing, writes Mumia. "The tragedy was that more
people didn't know her, learn from her, or grow from her fund of
hard-earned wisdom." The War Before helps diminish that aspect of the tragedy.
Ron Jacobs is author of
<http://www.amazon.com/exec/obidos/ASIN/1859841678/counterpunchmaga>The
Way the Wind Blew: a history of the Weather Underground, which is
just republished by Verso. Jacobs' essay on Big Bill Broonzy is
featured in CounterPunch's collection on music, art and sex,
<http://www.easycarts.net/ecarts/CounterPunch/CP_Books.html>Serpents
in the Garden. His first novel,
<http://www.amazon.com/exec/obidos/ASIN/0977459098/counterpunchmaga>Short
Order Frame Up, is published by Mainstay Press. He can be reached at:
<mailto:rjacobs3625 at charter.net>rjacobs3625 at charter.net
Freedom Archives
522 Valencia Street
San Francisco, CA 94110
415 863-9977
www.Freedomarchives.org
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