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style="color:#ba2025"><span
style="font-family:lato,helvetica neue,helvetica,arial,sans-serif">Keep
On Rockin’ in the Free
World: The Twenty-First
Newsletter (2024)</span></span></span></strong>
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<div
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style="text-align:center; margin:3em 0;">
<div
class="single-post--content--image--scroll-x--container"><img
decoding="async"
fetchpriority="high"
src="https://thetricontinental.org/wp-content/uploads/2024/05/1_15-Nagasaki.jpeg"
alt=""
style="max-width: 100%;width: 100%;padding-bottom: 0;display: inline;vertical-align: bottom;border: 0;height: auto;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;"
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<p class="wp-caption-text"
style="text-align: center;margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;"><small>Iri
and Toshi Maruki, <i>XV
Nagasaki</i>, 1982,
from The Hiroshima
Panels.</small></p>
</div>
<p
style="margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;text-align: left;">Dear
friends,</p>
<p
style="margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;text-align: left;">Greetings
from the desk of <a
href="https://thetricontinental.us11.list-manage.com/track/click?u=6a79324d3b4acfde1e7e546c6&id=cd8f092706&e=d206d0a40d"
style="mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #007C89;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">Tricontinental:
Institute for Social
Research</a>.</p>
<p
style="margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;text-align: left;"><i>For
Prabir, who is now </i><a
href="https://thetricontinental.us11.list-manage.com/track/click?u=6a79324d3b4acfde1e7e546c6&id=bc432ff08f&e=d206d0a40d"
style="mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #007C89;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true"><i>out
of jail</i></a><i>.</i></p>
<p
style="margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;text-align: left;">On
the evening of 14 May, US
Secretary of State Antony
Blinken climbed onstage at
Barman Dictat in Kyiv,
Ukraine, to pick up an
electric guitar and join the
Ukrainian punk band 19.99.
Ukrainians, he <a
href="https://thetricontinental.us11.list-manage.com/track/click?u=6a79324d3b4acfde1e7e546c6&id=f2d07b5181&e=d206d0a40d"
style="mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #007C89;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">said</a>,
are ‘fighting not just for a
free Ukraine, but for a free
world’. Blinken and 19.99
then played the chorus of
Neil Young’s ‘Rockin’ in the
Free World’, entirely
ignoring the implications of
its lyrics – much like
Donald Trump, who, to
Young’s <a
href="https://thetricontinental.us11.list-manage.com/track/click?u=6a79324d3b4acfde1e7e546c6&id=658e241bad&e=d206d0a40d"
style="mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #007C89;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">irritation</a>,
used the chorus in his
2015–2016 presidential
campaign.</p>
<p
style="margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;text-align: left;">In
February 1989, the day after
Young received the news that
his band’s tour in the USSR
fell through, he penned the
song’s lyrics, resting on
his criticisms of the Reagan
years and the first month of
George H. W. Bush’s
presidency. While it sounds
patriotic on the surface,
that song – like Bruce
Springsteen’s ‘Born in the
USA’ (1984) – is deeply
critical of the hierarchies
and humiliations of
capitalist society.</p>
<p
style="margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;text-align: left;">The
three verses of ‘Rockin’ in
the Free World’ paint a
picture of despair (‘people
shufflin’ their feet/ people
sleepin’ in their shoes<i>’)</i>
defined by the drug epidemic
plaguing the poor (a woman
‘puts the kid away/ and
she’s gone to get a hit’),
the collapse of educational
opportunities (‘there’s one
more kid/ that will never go
to school’), and a growing
population that lives on the
street (‘we got a thousand
points of light/ for the
homeless man’).
Springsteen’s song, written
in the shadow of the US war
on Vietnam (‘so they put a
rifle in my hand/ sent me
off to a foreign land/ to go
and kill the yellow man’),
also captured the
strangulation of the working
class in the US, many of
whom were unable to get a
job after returning from a
war they did not want (‘down
in the shadow of the
penitentiary/ out by the gas
fires of the refinery/ I’m
ten years burning down the
road/ nowhere to run ain’t
got nowhere to go’).</p>
<p
style="margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;text-align: left;">These
are songs of anguish, not
anthems of war. To chant
‘born in the USA’ or ‘keep
on rockin’ in the free
world’ does not evoke a
sense of pride in the Global
North but a fierce criticism
of its ruthless wars. ‘Keep
on rockin’ in the free
world’ is pickled in irony.
Blinken did not get it, nor
did Trump. They want the
allure of rock and roll, but
not the acidity of its
lyrics. They do not
understand that Neil Young’s
1989 song is the soundtrack
of the resistance to the US
wars that followed against
Panama (1989–1999), Iraq
(1990–1991), Yugoslavia
(1999), Afghanistan
(2001–2021), Iraq
(2003–2011), and many more.</p>
<div
class="single-post--content--media-block single-post--content--image single-post--content--image--scroll-x"
style="text-align:center; margin:3em 0;">
<div
class="single-post--content--image--scroll-x--container"><img
decoding="async"
src="https://thetricontinental.org/wp-content/uploads/2024/05/2_13-Death-of-the-American-Prisoner-of-War.jpg"
alt=""
style="max-width: 100%;width: 100%;padding-bottom: 0;display: inline;vertical-align: bottom;border: 0;height: auto;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;"
class="mcRssImage"
moz-do-not-send="true"
width="3009" border="0"></div>
<p class="wp-caption-text"
style="text-align: center;margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;"><small>Iri
and Toshi Maruki, <i>XIII
Death of the American
Prisoners of War</i>,
1971, from The Hiroshima
Panels.</small></p>
</div>
<p
style="margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;text-align: left;">Blinken
went to Kiev to celebrate
the passing of three bills
in the US House of
Representatives that <a
href="https://thetricontinental.us11.list-manage.com/track/click?u=6a79324d3b4acfde1e7e546c6&id=3f90fec44c&e=d206d0a40d"
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moz-do-not-send="true">appropriate</a>
$95.3 billion for the
militaries of Israel,
Taiwan, Ukraine, and the
United States. This is in
addition to the more than
$1.5 trillion that the US <a
href="https://thetricontinental.us11.list-manage.com/track/click?u=6a79324d3b4acfde1e7e546c6&id=64d32d63ed&e=d206d0a40d"
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moz-do-not-send="true">spends</a>
on its military every year.
It is obscene that the US
continues to supply Israel
with deadly munitions for
its genocide against
Palestinians in Gaza,
including the $26.4 billion
it promised to Israel in the
new bills while feigning
concern for the starvation
and slaughter of
Palestinians. It is ghastly
that the US continues to
prevent peace talks between
Ukraine and Russia while
funding the former’s
demoralised military
(including $60.8 billion for
weapons in the new bills
alone) as the US seeks to
use the conflict to ‘see
Russia <a
href="https://thetricontinental.us11.list-manage.com/track/click?u=6a79324d3b4acfde1e7e546c6&id=1e07e2eb9c&e=d206d0a40d"
style="mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #007C89;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">weakened</a>’.</p>
<p
style="margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;text-align: left;">At
the other end of Eurasia,
the US has, similarly, used
the issue of Taiwan in its
efforts to see China
‘weakened’. That is why this
supplemental appropriation
allots $8.1 billion for
‘Indo-Pacific security’,
including $3.9 billion in
armaments for Taiwan and
$3.3 billion for submarine
construction in the US.
Taiwan is not alone as a
potential frontline state in
this pressure campaign
against China: the newly
formed <a
href="https://thetricontinental.us11.list-manage.com/track/click?u=6a79324d3b4acfde1e7e546c6&id=a421eb9468&e=d206d0a40d"
style="mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #007C89;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">Squad</a>,
made up of Australia, Japan,
the Philippines, and the US,
uses solvable conflicts
between the Philippines and
China as opportunities to
weaponise dangerous
manoeuvres with the hope of
provoking a reaction from
China that would give the US
an excuse to attack it.</p>
<div
class="single-post--content--media-block single-post--content--image single-post--content--image--scroll-x"
style="text-align:center; margin:3em 0;">
<div
class="single-post--content--image--scroll-x--container"><img
decoding="async"
src="https://thetricontinental.org/wp-content/uploads/2024/05/3_14-Crows.jpeg"
alt=""
style="max-width: 100%;width: 100%;padding-bottom: 0;display: inline;vertical-align: bottom;border: 0;height: auto;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;"
class="mcRssImage"
moz-do-not-send="true"
width="2994" border="0"></div>
<p class="wp-caption-text"
style="text-align: center;margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;"><small>Iri
and Toshi Maruki, <em>XIV
Crows</em>, 1972, from
The Hiroshima Panels.</small></p>
</div>
<p
style="margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;text-align: left;">Our
new dossier, <a
href="https://thetricontinental.us11.list-manage.com/track/click?u=6a79324d3b4acfde1e7e546c6&id=9cc51fdd2e&e=d206d0a40d"
style="mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #007C89;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true"><i>The
New Cold War is Sending
Tremors Through
Northeast Asia</i></a>,
published in collaboration
with the <a
href="https://thetricontinental.us11.list-manage.com/track/click?u=6a79324d3b4acfde1e7e546c6&id=f7ad07369c&e=d206d0a40d"
style="mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #007C89;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">International
Strategy Centre</a>
(Seoul, South Korea) and <a
href="https://thetricontinental.us11.list-manage.com/track/click?u=6a79324d3b4acfde1e7e546c6&id=1eb0ae7629&e=d206d0a40d"
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moz-do-not-send="true">No
Cold War</a>, argues that
‘the US-led New Cold War
against China is
destabilising Northeast Asia
along the region’s historic
fault lines as part of a
broader militarisation
campaign that extends from
Japan and South Korea,
through the Taiwan Strait
and the Philippines, all the
way to Australia and the
Pacific Islands’. The
bogeyman for this build-up
in what the US calls the
‘Indo-Pacific’ (a term
developed to draw India into
the alliance to encircle
China) is North Korea, whose
nuclear and missile
programmes are used to
justify asymmetrical
mobilisation along the
Pacific edge of Asia. That
South Korea’s <a
href="https://thetricontinental.us11.list-manage.com/track/click?u=6a79324d3b4acfde1e7e546c6&id=0836d00726&e=d206d0a40d"
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moz-do-not-send="true">military
budget</a> in 2023 ($47.9
billion) was more than twice
North Korea’s <a
href="https://thetricontinental.us11.list-manage.com/track/click?u=6a79324d3b4acfde1e7e546c6&id=4e140c0a5e&e=d206d0a40d"
style="mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #007C89;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">GDP</a>
($20.6 billion) in the same
year is just one example
that highlights this
imbalance. This use of North
Korea, the dossier argues,
‘has always been a fig leaf
for US containment
strategies – first against
the Soviet Union and today
against China’. (You can
read the dossier in Korean <a
href="https://thetricontinental.us11.list-manage.com/track/click?u=6a79324d3b4acfde1e7e546c6&id=4798eec7c1&e=d206d0a40d"
style="mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #007C89;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">here</a>).</p>
<div
class="single-post--content--media-block single-post--content--image single-post--content--image--scroll-x"
style="text-align:center; margin:3em 0;">
<div
class="single-post--content--image--scroll-x--container"><img
decoding="async"
loading="lazy"
src="https://thetricontinental.org/wp-content/uploads/2024/05/4_12-Floating-Lanterns.jpg"
alt=""
style="max-width: 100%;width: 100%;padding-bottom: 0;display: inline;vertical-align: bottom;border: 0;height: auto;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;"
class="mcRssImage"
moz-do-not-send="true"
width="3013" border="0"></div>
<p class="wp-caption-text"
style="text-align: center;margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;"><small>Iri
and Toshi Maruki, <i>XII
Floating Lanterns</i>,
1968, from The Hiroshima
Panels.</small></p>
</div>
<p
style="margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;text-align: left;">In
the early years of the US
development of the
‘Indo-Pacific strategy’,
Chinese scholars such as Hu
Bo, Chen Jimin, and Feng
Zhennan <a
href="https://thetricontinental.us11.list-manage.com/track/click?u=6a79324d3b4acfde1e7e546c6&id=ffb5bc7097&e=d206d0a40d"
style="mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #007C89;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">argued</a>
that the term was merely
conceptual, limited by the
contradictions between the
countries involved in the
development of the Chinese
containment strategy. Over
the past few years, however,
a new view has developed
that these shifts in the
Pacific pose a serious
threat to China and that the
Chinese must respond with
bluntness to prevent any
provocation. It is this
situation, characterised by
the US’s creation of
alliances that are designed
to threaten China (the Quad,
AUKUS, JAKUS, and the Squad)
alongside China’s refusal to
bend before the <a
href="https://thetricontinental.us11.list-manage.com/track/click?u=6a79324d3b4acfde1e7e546c6&id=44f3cd2fc4&e=d206d0a40d"
style="mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #007C89;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">hyper-imperialism</a>
of the Global North, that
creates a serious threat in
Asia.</p>
<p
style="margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;text-align: left;">The
last section of the dossier,
‘A Path to Peace in
Northeast Asia’, offers a
window into the hopes of the
people’s movements in
Okinawa (Japan), the Korean
peninsula, and China to find
a pathway to peace. Five
simple principles anchor
this path: end the dangerous
alliances, US-led war games
in the region, and US
intervention into the
region, and support unity
across struggles in the
region as well as frontline
struggles to end
militarisation in Asia. The
latter point is being fought
on several fronts by those
living near Okinawa’s Kadena
Air Base and Henoko Bay as
well as South Korea’s
Terminal High Altitude Area
Defence installation and
Jeju Naval Base, to name a
few.</p>
<div
class="single-post--content--media-block single-post--content--image single-post--content--image--scroll-x"
style="text-align:center; margin:3em 0;">
<div
class="single-post--content--image--scroll-x--container"><img
decoding="async"
loading="lazy"
src="https://thetricontinental.org/wp-content/uploads/2024/05/5_10-Petition.jpg"
alt=""
style="max-width: 100%;width: 100%;padding-bottom: 0;display: inline;vertical-align: bottom;border: 0;height: auto;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;"
class="mcRssImage"
moz-do-not-send="true"
width="3006" border="0"></div>
<p class="wp-caption-text"
style="text-align: center;margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;"><small>Iri
and Toshi Maruki, <em>X
Petition</em>, 1955,
from The Hiroshima
Panels.</small></p>
</div>
<p
style="margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;text-align: left;">Several
years ago, I visited the <a
href="https://thetricontinental.us11.list-manage.com/track/click?u=6a79324d3b4acfde1e7e546c6&id=144a74cf5a&e=d206d0a40d"
style="mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #007C89;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">Maruki
Gallery</a> outside
Higashi-Matsuyama city in
Saitama, where I saw the
remarkable murals made by
Ira Maruki (1901–1995) and
Toshi Maruki (1912–2000) to
remember the terrible
violence of the nuclear
bombs that the US government
dropped on Hiroshima and
Nagasaki. These murals, in
the traditional Japanese ink
wash style <i>sumi-e</i>,
depict the immense human
toll of the ugliness of
modern warfare. Thanks to
the chief curator Yukinori
Okamura and the
international coordinator
Yumi Iwasaki, we were able
to include some of these
murals in our dossier and in
this newsletter.</p>
<div
class="single-post--content--media-block single-post--content--image"
style="text-align:center; margin:3em 0;"><img decoding="async"
loading="lazy"
class="aligncenter size-full wp-image-103436 img-responsive mcRssImage"
src="https://thetricontinental.org/wp-content/uploads/2024/05/6_Portrait-Kim-Nam-ju.jpg"
alt=""
srcset="https://thetricontinental.org/wp-content/uploads/2024/05/6_Portrait-Kim-Nam-ju.jpg 1800w, https://thetricontinental.org/wp-content/uploads/2024/05/6_Portrait-Kim-Nam-ju-300x300.jpg 300w, https://thetricontinental.org/wp-content/uploads/2024/05/6_Portrait-Kim-Nam-ju-1024x1024.jpg 1024w, https://thetricontinental.org/wp-content/uploads/2024/05/6_Portrait-Kim-Nam-ju-150x150.jpg 150w, https://thetricontinental.org/wp-content/uploads/2024/05/6_Portrait-Kim-Nam-ju-768x768.jpg 768w, https://thetricontinental.org/wp-content/uploads/2024/05/6_Portrait-Kim-Nam-ju-1536x1536.jpg 1536w"
sizes="(max-width: 1800px) 100vw, 1800px"
style="max-width: 100%;width: 100%;padding-bottom: 0;display: inline;vertical-align: bottom;border: 0;height: auto;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;"
moz-do-not-send="true"
width="1800" border="0"></div>
<p
style="margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;text-align: left;">In
1980, the South Korean
military dictatorship
arrested Kim Nam-ju
(1945–1994) and thirty-five
other leftists on the
grounds that they were
involved in the National
Liberation Front Preparation
Committee. Kim was a poet
and a translator who brought
Frantz Fanon’s <i>Black
Skin, White Masks</i> and
Ho Chi Minh’s writings into
Korean. While in Gwangju
Prison for eight years, Kim
wrote a range of powerful
poetry, which he was able to
smuggle out for publication.
One of those poems, ‘<a
href="https://thetricontinental.us11.list-manage.com/track/click?u=6a79324d3b4acfde1e7e546c6&id=ed212e57e6&e=d206d0a40d"
style="mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #007C89;font-weight: normal;text-decoration: underline;"
moz-do-not-send="true">Things
Have Really Changed</a>’,
is about the suffocation of
the ambitions of the Korean
people over their own
peninsula.</p>
<blockquote
style="mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;">
<p
style="margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;text-align: left;">Under
Japanese imperialism, if
Joseon people<br>
shouted ‘Long Live
Independence!’,<br>
Japanese policemen came
and took them away,<br>
Japanese prosecutors
interrogated them,<br>
Japanese judges put them
on trial.</p>
<p
style="margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;text-align: left;">Japan
withdrew and the US
stepped in.<br>
Now if Koreans<br>
say ‘Yankee Go Home’,<br>
Korean police come and
take them away,<br>
Korean prosecutors
interrogate them,<br>
Korean judges put them on
trial.</p>
<p
style="margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;text-align: left;">Things
have really changed after
liberation.<br>
Because I shouted ‘Drive
out the foreign
invaders!’,<br>
people from my own country<br>
arrested me, interrogated
me, and put me on trial.</p>
</blockquote>
<p
style="margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;text-align: left;">Warmly,</p>
<p
style="margin: 10px 0;padding: 0;mso-line-height-rule: exactly;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #202020;font-family: Helvetica;font-size: 16px;line-height: 150%;text-align: left;">Vijay</p>
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