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        dir="ltr"> <font size="-2"><a id="reader-domain" class="domain"
href="https://electronicintifada.net/blogs/michael-f-brown/bob-dylans-embrace-israels-war-crimes">https://electronicintifada.net/blogs/michael-f-brown/bob-dylans-embrace-israels-war-crimes</a></font>
        <h1 id="reader-title">Bob Dylan's embrace of Israel's war crimes</h1>
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            <span class="field field-author"><a
                href="https://electronicintifada.net/people/michael-f-brown"
                typeof="skos:Concept" property="rdfs:label
                skos:prefLabel" datatype="">Michael F. Brown</a></span>
            <span class="field field-blog"></span><span class="field
              field-publication-date"><span class="date-display-single"
                property="dc:date" datatype="xsd:dateTime"
                content="2016-10-18T20:38:04+00:00">18 October 2016</span></span>
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              <p>Controversially, musical genius Bob Dylan received the
                Nobel Prize for literature last week.</p>
              <p>Even some critics who acknowledged his musical
                brilliance have argued that awarding a musician was a
                step that too dramatically expanded the definition of
                literature. What few dispute is that his music inspired
                millions in the midst of the anti-war and civil rights
                movements.</p>
              <p>But there is also a less pleasant, less known side to
                the artist, particularly his views on Israel, Meir
                Kahane and the Jewish Defense League.</p>
              <p>In 1983, in <em>The New York Times</em>, Stephen
                Holden <a
href="http://www.nytimes.com/1983/11/13/arts/bob-dylan-mingles-exhilaration-and-misanthropy.html">described</a>
                Dylan’s album <em>Infidels</em> as “a disturbing
                artistic semirecovery by a rock legend who seemed in
                recent years to have lost his ability to engage the
                Zeitgeist.”</p>
              <p>Holden asserted that a “stomping, hollering rhetorical
                tone infuses the two most specifically political songs,
                ‘Neighborhood Bully,’ an outspoken defense of Israel,
                and ‘Union Sundown,’ a gospel-blues indictment of
                American labor unions.”</p>
              <p>“The lyrics suggest an angry crackpot throwing wild
                punches and hoping that one or two will land,” Holden
                added.</p>
              <p>With its opening <a
                  href="http://bobdylan.com/songs/neighborhood-bully/">lyrics</a>
                parroting Israel’s own narrative of being the blameless,
                perpetual victim of Arab violence, “Neighborhood Bully”
                came just a year after Israel’s bloody invasion of
                Lebanon that would claim tens of thousands of lives:</p>
              <blockquote>
                <p>Well, the neighborhood bully, he’s just one man<br>
                  His enemies say he’s on their land<br>
                  They got him outnumbered about a million to one<br>
                  He got no place to escape to, no place to run<br>
                  He’s the neighborhood bully</p>
              </blockquote>
              <p>The invasion of Lebanon was a calamitous war, <a
                  href="http://www.csmonitor.com/1997/1230/123097.intl.intl.6.html">widely
                  opposed</a> even in Israel where it was likened to the
                US quagmire in Vietnam.</p>
              <p>Yet Dylan sang these words exonerating Israel even
                after the world had witnessed the horrifying <a
                  href="https://electronicintifada.net/tags/sabra-and-shatila-massacre">massacres</a>
                of Palestinian refugees in the Sabra and Shatila refugee
                camps by an Israeli-allied militia during the occupation
                of Beirut.</p>
              <p>Today, the lyrics read like a prelude to the racist
                nationalism embodied in the politics of today’s Israeli
                leaders, including Benjamin Netanyahu, Avigdor Lieberman
                and Naftali Bennett.</p>
              <p>Deeper into the tune, Dylan betrays an ignorance of the
                enormous support given by the US government to Israel,
                notably the <a
                  href="http://www.merip.org/mer/mer164-165/us-aid-israel">huge
                  influx</a> of military support provided by the
                administration of President Jimmy Carter shortly before
                the release of the album.</p>
              <p>That funding continues to this day with the <a
href="https://electronicintifada.net/blogs/rania-khalek/obama-hands-israel-largest-military-aid-deal-history">record-breaking
                  $38 billion in military aid</a> over 10 years recently
                negotiated by the Obama administration.</p>
              <p>Yet Dylan sings:</p>
              <blockquote>
                <p>He got no allies to really speak of<br>
                  What he gets he must pay for, he don’t get it out of
                  love<br>
                  He buys obsolete weapons and he won’t be denied</p>
              </blockquote>
              <h2>Kahane</h2>
              <p>The equal rights backed by Dylan in the US seemingly
                have no place in his politics regarding Israel and its
                neighbors.</p>
              <p>Dylan’s challenge to power in the US is transmuted into
                an embrace of Israeli militancy because of a flawed
                sense of reality, perhaps one learned from <a
href="http://www.nytimes.com/1990/11/06/obituaries/meir-kahane-58-israeli-militant-and-founder-of-the-jewish-defense-league.html">Meir
                  Kahane</a>, founder of the Jewish Defense League (JDL)
                and later of the racist <a
                  href="https://electronicintifada.net/tags/kach">Kach</a>
                party in Israel.</p>
              <p>Dylan’s relationship to Kahane and the JDL is not
                entirely clear, but was <a
href="http://www.nytimes.com/1971/11/28/archives/-wont-you-listen-to-the-lambs-bob-dylan-wont-you-listen-to-the.html">explored</a>
                by Anthony Scaduto in <em>The New York Times</em> in
                1971.</p>
              <p>“Dylan’s interest in Israel and Judaism led him, over a
                year ago, into an unexpected relationship with Rabbi
                Meir Kahane and the Jewish Defense League,” Scaduto
                wrote.</p>
              <p>The singer reportedly attended several JDL meetings and
                may have given money to the organization.</p>
              <p>Already in 1971, Scaduto wrote, “Dylan’s enthusiasm for
                the militant Jewish organization has brought down the
                wrath of some in the radical movement.”</p>
              <p>Scaduto detailed this just four years after the Israeli
                occupation of the West Bank, Gaza Strip, Syria’s Golan
                Heights and Egypt’s Sinai had begun: “To many young
                radicals, including Jewish kids, Israel is simply
                another one of those fascist states propped up by a
                fascist American Government, and Dylan’s fervent support
                of Israel and his over-publicized contacts with the JDL
                are to them a further indication that he has sold out to
                the political right he condemned.”</p>
              <h2>Rejecting Palestinian struggle</h2>
              <p>Dylan’s drift away from the anti-war movement over the
                course of the next 45 years – and his clear embrace of
                Israel after its invasion of Lebanon – led to <a
href="http://mondoweiss.net/2011/04/no-surprise-dylan-is-visiting-the-neighborhood-bully/">no
                  surprise</a> when he rejected the boycott, divestment
                and sanctions (BDS) movement’s call for him not to play
                Israel in 2011.</p>
              <p>The right of return for refugees, the end of the
                occupation and equal rights for all Palestinians – the
                BDS movement’s key demands – would not have resonated
                with the man who wrote “Neighborhood Bully.”</p>
              <p>Ironically, both Dylan and Pink Floyd’s Roger Waters <a
href="http://www.nytimes.com/aponline/2016/10/10/arts/ap-us-music-desert-trip.html">performed</a>
                at the Desert Trip musical festival this month.</p>
              <p>Today, however, it is Waters who is politically
                relevant, with his support of the BDS movement and Black
                Lives Matter, his blasting of Donald Trump’s <a
href="http://www.billboard.com/articles/columns/music-festivals/7534335/roger-waters-trump-israel-desert-trip">racism</a>
                and his love and support for children wearing “<a
href="http://www.rollingstone.com/music/live-reviews/roger-waters-the-who-get-political-at-desert-trip-night-3-w444087">Derriba
                  el muro</a>” T-shirts – Spanish for “take down the
                wall.”</p>
              <p>In front of an audience of tens of thousands of
                festival-goers in Indio, California, Waters gave a
                shout-out to Students for Justice in Palestine:
              </p>
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                  <blockquote class="twitter-tweet" data-width="550">
                    <p dir="ltr" lang="en">Roger Waters shouts out
                      California chapters of Students for Justice in
                      Palestine before 85k+ at <a
                        href="https://twitter.com/hashtag/DesertTrip?src=hash">#DesertTrip</a>
                      <a href="https://t.co/zhqn3x6YxO">pic.twitter.com/zhqn3x6YxO</a></p>
                    — Dan Cohen (@dancohen3000) <a
                      href="https://twitter.com/dancohen3000/status/787913881591033856">October
                      17, 2016</a></blockquote>
                </div>
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              <p>Both Waters and Dylan are now in their 70s; one has
                grown over the last 50 years in his willingness to
                embrace urgent contemporary struggles for freedom and
                equal rights. The other has stepped back from vital
                political engagements and yet been rewarded with a Nobel
                Prize.</p>
              <p>Today it is no longer Dylan who best embodies the
                spirit of one of his <a
                  href="http://bobdylan.com/songs/blowin-wind/">best
                  known lyrics</a>:</p>
              <blockquote>
                <p>Yes, and how many years can some people exist<br>
                  Before they’re allowed to be free?</p>
              </blockquote>
              <br>
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