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      Eduardo Galeano, leading voice of Latin American left, dies aged
      74
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            <p>Best known for his 1971 book Open Veins of Latin America,
              the Uruguayan writer and journalist was one of the
              region’s noted anti-capitalist voices </p>
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            href="http://www.theguardian.com/profile/ashifa-kassam">Ashifa
            Kassam</a></span></p>
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          datetime="2015-04-13T10:25:10-0400"
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          Monday 13 April 2015 <span class="content__dateline-time">10.25 EDT</span>
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          Last modified on Monday 13 April 2015<br>
          <b><small><small><small><a class="moz-txt-link-freetext" href="http://www.theguardian.com/books/2015/apr/13/eduardo-galeano-open-veins-of-latin-america-writer-dies?CMP=share_btn_fb">http://www.theguardian.com/books/2015/apr/13/eduardo-galeano-open-veins-of-latin-america-writer-dies?CMP=share_btn_fb</a></small></small></small></b><br>
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      <p>The Uruguayan author and journalist Eduardo Galeano, one of
        Latin America’s leading anti-capitalist voices, has died of
        cancer at the age of 74 in Montevideo.<br>
      </p>
      <p>His death on Monday was confirmed by the weekly publication
        Brecha, where he was a contributor.</p>
      <p>Galeano was best known for his 1971 book Open Veins of Latin
        America, which rocketed to the top of US bestseller lists after
        the Venezuelan leader Hugo Chávez presented a copy to President
        Barack Obama in 2009.</p>
      <p>Subtitled “Five centuries of the Pillage of a Continent” the
        book argues that Latin America has been consistently
        impoverished in order to feed the prosperity of Europe and the
        US. </p>
      <p>In his chronicle of centuries of economic exploitation, Galeano
        wrote: “The human murder by poverty in Latin America is secret.
        Every year, without making a sound, three Hiroshima bombs
        explode over communities that have become accustomed to
        suffering with clenched teeth.”</p>
      <p>The book, which established Galeano as one of the region’s most
        prominent writers, became a rallying cry among leftist circles,
        and was banned during periods of military leadership in Chile,
        Argentina and <a
          href="http://www.theguardian.com/world/uruguay"
          data-link-name="auto-linked-tag"
          data-component="auto-linked-tag" class=" u-underline">Uruguay</a>.
        A recent edition included an introduction by novelist Isabel
        Allende, who once said the book was one of the few items she
        brought along when she fled Chile after the military coup in
        1973. <br>
      </p>
      <p>However, Galeano himself later admitted to mixed feelings about
        the book. “[It] was trying to be a work of political economics,
        but I just didn’t have the right training. I don’t regret
        writing it, but I’ve moved beyond that stage.”</p>
      <p>When asked by reporters about Chávez’s gift to Obama, Galeano
        noted that the late Venezuelan president had presented his US
        counterpart with a Spanish edition of the book. “He gave it to
        Obama with the best intentions in the world, but he gave it to
        Obama in a language that he doesn’t know. So it was a generous
        gesture, but a bit cruel,” he said.</p>
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              <h1 class="rich-link__title"><a class="rich-link__link">Eduardo
                  Galeano: 'My great fear is that we are all suffering
                  from amnesia'</a></h1>
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      <p>During a career that spanned half a century, Galeano wrote
        dozens of works of fiction and non-fiction, with several of them
        being translated into as many as 20 languages. <br>
      </p>
      <p>Galeano also won acclaim for his book on another of his
        passions, football. His 1995 celebration of the Beautiful Game,
        Football in Sun and Shadow, led the Guardian’s Richard Williams
        to laud him as “the Pelé of football writing”. </p>
      <p>In 2013, speaking to the Guardian about his latest book
        Children of the Days, Galeano detailed a world where power and
        wealth were becoming increasingly concentrated in the hands of a
        few, weaving in examples from the 15th century to the present
        day. “History never really says goodbye,” he said at the time.
        “History said, see you later.” </p>
      <p>It was a stance that permeated his writing, he told reporters,
        describing himself as a “writer obsessed with remembering, with
        remembering the past of America and above all that of Latin
        America, intimate land condemned to amnesia”.</p>
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