[News] Culture, power and resistance - reflections on the ideas of Amilcar Cabral
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Tue Feb 7 11:58:37 EST 2017
http://longreads.tni.org/state-of-power/culture-power-and-resistance/
<https://roarmag.org/essays/amilcar-cabral-revolutionary-anticolonialism/>
Culture, power and resistance - reflections on the ideas of Amilcar Cabral
Author Firoze Manji
Amilcar Cabral and Frantz Fanon are among the most important thinkers
from Africa on the politics of liberation and emancipation. While the
relevance of Fanon’s thinking has re-emerged, with popular movements
such as Abahlali baseMjondolo in South Africa proclaiming his ideas as
the inspiration for their mobilizations, as well as works by Sekyi-Otu,
Alice Cherki, Nigel Gibson, Lewis Gordon and others, Cabral’s ideas have
not received as much attention.
Cabral was the founder and leader of the Guinea-Bissau and Cabo Verde
liberation movement, /Partido Africano da Independência da Guiné e Cabo
Verde/ (PAIGC). He was a revolutionary, humanist, poet, military
strategist, and prolific writer on revolutionary theory, culture and
liberation. The struggles he led against Portuguese colonialism
contributed to the collapse not only of Portugal’s African empire, but
also to the downfall of the fascist dictatorship in Portugal and to the
Portuguese revolution of 1974-’75, events that he was not to witness: he
was assassinated by some of his comrades, with the support of the
Portuguese secret police, PIDE, on 20 January 1973.
By the time of his death, two thirds of Guinea was in the liberated
zones, where popular democratic structures were established that would
form the basis for the future society: women played political and
military leadership roles, the Portuguese currency was banned and
replaced by barter, agricultural production was devoted to the needs of
the population, and many of the elements of a society based on humanity,
equality and justice began to emerge organically through popular debate
and discussion. Cultural resistance played a critical role in both the
defeat of the Portuguese and in the establishment of the liberated zones.
Cabral understood that the extension and domination of capitalism
depends critically on dehumanizing the colonial subject. And central to
the process of dehumanization has been the need to destroy, modify or
recast the culture of the colonized, for it is principally through
culture, “because it is history”, that the colonized have sought to
resist domination and assert their humanity. For Cabral, and also for
Fanon, culture is not some aesthetic artefact, but an expression of
history, the foundation of liberation, and a means to resist domination.
At heart, culture is subversive.
The history of liberalism has been one of contestation between the
cultures of what
Losurdo<about:reader?url=https%3A%2F%2Froarmag.org%2Fessays%2Familcar-cabral-revolutionary-anticolonialism%2F#sdendnote2sym>refers
to as the sacred and profane spaces. The democracy of the sacred space
to which the Enlightenment gave birth in the New World was, writes
Losurdo, a “/Herrenvolk/ democracy”, a democracy of the white
master-race that refused to allow blacks, indigenous peoples, or even
white women, to be considered citizens. They were regarded as part of
the profane space occupied by the less-than-human. The ideology of a
white, master-race democracy was reproduced as capital colonized vast
sections of the globe. Trump’s victory in the US and the establishment
of his right-wing, if not fascist, entourage, is in many ways an
expression of the growing resentment and antagonism among significant
sections of white America towards the perceived invasion and defiling of
the sacred space by indigenous people, blacks, “latinos”, Mexicans,
gays, lesbians, organized labor, immigrants and all those profane beings
that do not belong in that space. We can safely predict that Trump’s
presidency will see efforts to mount an assault on the cultures,
organizations, and organizing capacities of those they view as the
detritus of society, to remove them from the privileges of the sacred
space and to “return” them to the domain of the dehumanized. At the same
time, we can predict that there will be widespread resistance to such
attempts, in which culture will be an essential element.
In this context, Cabral’s writing and speeches on culture, liberation
and resistance to power have important implications for the coming
struggles not only in the US, but also in post-Brexit Britain, and in
continental Europe, where fascism is once again raising its ugly head in
several countries. Drawing upon Cabral’s works, I look at how
colonialism established and maintained its power through attempts to
eradicate the cultures of the colonial subject, and how culture as a
liberatory force was essential for African people to reassert their
humanity, to invent what it means to be human, and to develop a
universalist humanity. I discuss how neocolonial regimes have attempted
to disarticulate culture from politics, a process that neoliberalism has
exacerbated. But as discontent after nearly forty years of austerity
(a.k.a. “structural adjustment programs”) in Africa rises, as
governments increasingly lose popular legitimacy, there is a resurgence
of uprisings and protests, and once again culture is re-emerging as a
mobilizing and organizing force.
The philosophers of the Enlightenment, such as Hegel, considered that
Africans had no history. But what was the “African” that they were
referring to? It was only in the 15th century that Europeans began to
use the term “African” to refer to all the peoples who live on the
continent. The term was directly associated with the Atlantic slave
trade, and the condemnation of large sections of humanity to chattel
slavery in the Americas and the Caribbean. To succeed in subjecting
millions of human beings to such barbarism depended on defining them as
non-humans.
The process of dehumanization required a systematic and
institutionalized attempt to destroy existing cultures, languages,
histories and capacities to produce, organize, tell stories, invent,
love, make music, sing songs, make poetry, create art — all things that
make a people human. This was carried our by local and European
enslavers and slave owners and all those who profited from the trade in
humans, not least the emerging European capitalist class.
In essence, the word that encapsulates this process of dehumanizing the
people of this continent is /African/. Indeed, anthropologists,
scientists, philosophers and a whole industry developed to “prove” that
these people constituted a different sub-human, biological “race”.
Africans were to be considered as having no history, culture, or any
contribution to make to human history. As slaves, they were mere
chattel — property or “things” that would be owned, disposed of and
treated in any way that the “owner” thought fit.
This attempt to erase the culture of Africans was a signal failure. For
while the forces of liberalism destroyed the institutions, cities,
literature, science and art on the continent, people’s memories of
culture, art forms, music and all that is associated with being human
remained alive, and were also carried across on the slave ships to where
African slaves found themselves, and where that culture evolved in their
new material conditions to become a basis for resistance.
The Atlantic slave trade and chattel slavery were the cornerstones of
capital accumulation that gave birth to capitalism, as were the
concurrent genocides and mass killings of indigenous populations of the
Americas and beyond. The systematic dehumanization of sections of
humanity — racism — was intimately intertwined with the birth, growth
and continued expansion of capital, and remains the hallmark of its
development.
Cabral understood that separating Africa and Africans from the general
flow of common human experience could only lead to the retardation of
social processes on the continent. “When imperialism arrived in Guinea
it made us leave our history … and enter another history.” This process
was to continue from its origins in the European enslavement and forced
removal of people from Africa to the expansion of Europe’s colonial
ventures to the present day. The representation of Africans as inferior
and sub-human justified the terror, slaughter, genocides, imprisonments,
torture, confiscation of land and property, forced labor, destruction of
societies and cultures, violent suppression of expressions of discontent
and dissent, restrictions on movement, and establishment of “tribal”
reserves. It justified the division of the land mass and its peoples
into territories at the Berlin Conference in 1884-’85 by competing
European imperial powers.
The faith in the superiority of the culture of the sacred space combined
with Christianity’s missionary zeal laid the foundations for empire and
the spread of Christendom. “After the slave trade, armed conquest and
colonial wars,” wrote Cabral, “there came the complete destruction of
the economic and social structure of African society. The next phase was
European occupation and ever-increasing European immigration into these
territories. The lands and possessions of the Africans were looted.”
Colonial powers established control by imposing taxes, enforcing
compulsory crops, introducing forced labor, excluding Africans from
particular jobs, removing them from the most fertile regions, and
establishing native authorities consisting of collaborators.
Cabral pointed out that whatever the material aspects of domination, “it
can be maintained only by the permanent and organized repression of the
cultural life of the people concerned.” Of course, domination could only
be completely guaranteed by the elimination of a significant part of the
population as, for example, in the genocide of the Herero peoples in
southern Africa or of many of the indigenous nations of North America,
but in practice this was not always feasible or indeed seen as desirable
from the point of view of empire. In Cabral’s words:
The ideal for foreign domination, whether imperialist or not, would
be to choose: either to liquidate practically all the population of
the dominated country, thereby eliminating the possibilities for
cultural resistance; or to succeed in imposing itself without damage
to the culture of the dominated people — that is, to harmonize
economic and political domination of these people with their
cultural personality.
By denying the historical development of the dominated people,
imperialism necessarily denies their cultural development, which is why
it requires cultural oppression and an attempt at “direct or indirect
liquidation of the essential elements of the culture of the dominated
people.”
“Of the African population of Angola, Guiné and Mozambique, 99.7 percent
are classified as uncivilized by Portuguese colonial laws,” wrote Cabral
in an assessment of the Portuguese colonies. “The so called
‘uncivilized’ African is treated as a chattel, and is at the mercy of
the will and caprice of the colonial administration and the settlers.
This situation is absolutely necessary to the existence of the
Portuguese colonial system. He provides an inexhaustible supply of
forced labor for export. By classifying him as ‘uncivilized’, the law
gives legal sanction to racial discrimination and provides one of the
justifications for Portuguese domination in Africa.”
The use of violence to dominate a people is, argued Cabral, “above all,
to take up arms to destroy, or at least neutralize and to paralyze their
cultural life. For as long as part of that people have a cultural life,
foreign domination cannot be assured of its perpetuation”.
The reason for this is clear. Culture is not a mere artefact or
expression of aesthetics, custom or tradition. It is a means by which
people assert their opposition to domination, a means to proclaim and
invent their humanity, a means to assert agency and the capacity to make
history. In a word, culture is one of the fundamental tools of the
struggle for emancipation.
Haiti’s slave revolution in 1804, which established the independent
black republic, constituted one of the first significant breaches
against racial despotism and slavery. Toussaint Louverture, the first
leader of the rebellion, drew on an explicit commitment to a universal
humanism to denounce slavery. In Richard Pithouse’s succinct summary:
“Colonialism defined race as permanent biological destiny. The
revolutionaries in Haiti defined it politically. Polish and German
mercenaries who had gone over to the side of the slave armies were
granted citizenship, as black subjects, in a free and independent Haiti.”
In Guinea-Bissau, Cabral was commissioned by the colonial authorities to
undertake an extensive census of agricultural production, enabling him
to gain a profound understanding of the people, their culture and forms
of resistance to colonial rule. He recognized that building a liberation
movement required a “reconversion of minds — a mental set” that he
believed to be indispensable for the “true integration of people into
the liberation movements”. To achieve that required “daily contact with
the popular masses in the communion of sacrifice required by the
struggle”. PAIGC cadres were deployed across the country to work with
peasants, to learn from them about how they experienced and opposed
colonial domination, to engage with them about the cultural practices
that formed part of their resistance to it. “Do not be afraid of the
people and persuade the people to take part in all the decisions that
concern them,” he told his party members. “The leader must be the
faithful interpreter of the will and the aspirations of the
revolutionary majority and not the lord of power.” And, “To lead
collectively, in a group, is to study questions jointly, to find their
best solution, and to take decisions jointly.”
For Cabral, culture has a material base, “the product of this history
just as a flower is the product of a plant. Like history, or because it
is history, culture has as its material base the level of the productive
forces and the mode of production. Culture plunges its roots into the
physical reality of the environmental humus in which it develops, and
reflects the organic nature of the society.”
Culture, insists Cabral, is intimately linked to the struggle for
freedom. While culture comprises many aspects, it “grows deeper through
the people’s struggle, and not through songs, poems or folklore. … One
cannot expect African culture to advance unless one contributes
realistically to the creation of the conditions necessary for this
culture, i.e. the liberation of the continent.” In other words, culture
is not static and unchangeable, but it advances only through engagement
in the struggle for freedom.
National liberation, says Cabral, “is the phenomenon in which a
socio-economic whole rejects the denial of its historical process. In
other words, the national liberation of a people is the regaining of the
historical personality of that people, it is their return to history
through the destruction of the imperialist domination to which they were
subject.”
Or, as Fanon put it: “To fight for national culture first of all means
fighting for the liberation of the nation, the tangible matrix from
which culture can grow. One cannot divorce the combat for culture from
the people’s struggle for liberation.” Furthermore: “The Algerian
national culture takes form and shape during the fight, in prison,
facing the guillotine and in the capture and destruction of the French
military positions.” And, “National culture is no folklore … [it] is the
collective thought process of a people to describe, justify, and extol
the actions whereby they have joined forces and remain strong.”
If being cast as African was originally defined as being less than
human, the resounding claim of every movement in opposition to
enslavement, every slave revolt, every opposition to colonization, every
challenge to the institutions of white supremacy, every resistance to
racism, every resistance to oppression or to patriarchy, constituted an
assertion of human identity. Where Europeans considered Africans to be
sub-human, the response was to claim the identity of “African” as a
positive, liberating definition of a people who are part of humanity,
“who belong to the whole world,” as Cabral put it. As in the struggles
of the oppressed throughout history, a transition occurs in which terms
used by the oppressors to “other” people are eventually appropriated by
the oppressed and turned into terms of dignity and assertion of humanity.
It was thus that the concept of being “African” became intimately
associated with the concept of freedom and emancipation. The people
“have kept their culture alive and vigorous despite the relentless and
organized repression of their cultural life,” wrote Cabral. Cultural
resistance was the basis for the assertion of people’s humanity and the
struggle for freedom.
With the growing discontent with the domination of the colonial regimes,
especially following the second world war, many political parties were
formed, many of which sought to negotiate concessions from the colonial
powers. Colonialism had been reluctant to grant any form of pluralism to
black organizations, but as popular protests grew, so there was a
grudging opening of political space, often involving favors to those who
were less threatening to colonial rule.
But such associations with freedom were, tragically, not to last for
long beyond independence.
--
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