[News] Mute Man Talking: Poetry Under Surveillance
Anti-Imperialist News
news at freedomarchives.org
Tue Jun 6 08:37:39 EDT 2006
http://www.blackcommentator.com/186/186_mute_man.html
[]
Amir Sulaiman of Uprising Records and Good Stuff
Entertainment speaks frankly about the new witch
hunt and being under federal surveillance as a
Spoken Word artist, African American male and a Muslim.
I consider America my country. This is beyond
the sentiments of patriotism or pride. It is a
matter of fact. My people have deep roots and a
long history in this land. They have invested
their blood in the soil of the South, in the
factories of the North and the frontiers of the
West. Upon the backs of my fore parents, this
nation was built. My familys history in this
country precedes the White house, the Pentagon
even the Constitution. America is my country.
Amir Sulaiman,
<http://www.highergroundonline.com/op-ed/cost_of_freedom.htm>The
High cost of Freedom of Speech
Cleverly hidden beneath the cloak of Civil
Liberties, is the reality that thousands of
citizens face: such a thing no longer exists.
Vengeful lawmakers and politicians have hijacked
the right we once called Freedom of Speech,
replacing it with an agenda other than the
publics best interest. In a post 9/11 world,
scores of innocent people have come forward
retelling experiences of detainment,
interrogation, secret hearings, and downright
harassment. The most horrid of all, of course, is
the imprisonment of hundreds of multiracial
people in the Navys Guantanamo base, most of
which are reported to be completely innocent but
still without effective legal representation five
years later. Amnesty International has labeled
this as one of the greatest human rights scandals
at the hands of the US government. Yet, by the
same token, the world prior to 9/11 held similar
injustices in the clandestine efforts of programs
like COINTELPRO whose sole purpose was to
infiltrate and dismantle what we have now come to
know as the grassroots movement.
According to the ACLU, the government hastily
implemented an expanded version of this countrys
laws regarding surveillance of citizens. Both Hip
Hop and Spoken word artists have a reputation for
conveying the truth and in doing so, influencing
the very disposition of their listeners. Although
the truths of the world we live in after the
tragic events of September 11th may have slipped
under the emotional and political radar of most,
some artists found creative ways to relate their
outlook. One such creative spokesman is Amir
Sulaiman, whose appearance on Def Poetry in
February 2004 both shocked and motivated his
audience. Russell Simmons stood in awe of this
fiery young speaker, commanding the attention of
not only those on the set, but more importantly,
the multitudes of poetry-goers watching HBOs
airwaves. Following the premiere of that episode,
Amir Sulaiman and his family encountered frequent
and intrusive visits from the FBI, inquiring about his anti-American poetry.
It didnt stop there.
Amir sought legal counsel, but was still harassed
with incessant phone calls, issued an invasive
grand jury subpoena, and put on a government list
that works in conjunction with airlines
disallowing him to fly anywhere. In spite of all
the harassment, Amir Sulaiman still cooperated by
returning phone calls but to no avail the
federal agents didnt give him the same deference.
In a new world, wrought nearly insane with
paranoia, I, simply by being Muslim, have become
a threat. In an old world, still stuck in the
muck of racism, I, as a young Black man, am still
a threat. This fear is further compounded by my
refusal to remain silent in the face of such
blatant hypocrisy, thievery, and tyranny. Amir Sulaiman
While, he is neither a suspect in any criminality
nor convicted in any trial, Amir Sulaiman and
others like him are still being strategically
profiled and methodically harassed. This tactic
of intimidation may, in fact, worry, if not
outright scare many, but not so with Amir, who
fathers three and leads flocks of spoken word
enthusiasts and Muslim youth. His poetic
statements make those of Jadakiss, Kanye and even
the Dixie Chicks sound like juvenile mumblings.
Perhaps it is his rhythmic references to the
military occupation of Iraq, the Israeli
Apartheid in Palestine, White Supremacy in
America or his plainspoken support of political
prisoners like Imam Jamil al Amin (formerly H.
Rap Brown). Amirs album
<http://www.last.fm/music/Amir+Sulaiman/_/Dead+Man+Walking+(live)>Dead
Man Walking (2004) took on a much more risqué
tone in comparison to his first recorded CD,
Cornerstore Folklore. And now in the year 2006,
we look forward to the forthcoming release of his
newest collection, Like a thief in the Night,
where he was joined with Mos Def, Dead Prez, The
Last Poets and the phenomenal songstress Goapele.
Without doubt, it is the likes of Amirs
influence that challenges blind patriotism and
naïve obedience to the system and what he calls
The Beast. For decades now, this same system
has effectively suppressed the voice of dissent,
particularly in urban communities, home to
disaffected individuals and political
displacement. What Amir symbolizes is a
modern-day personification of the Civil Rights
era, a figure born to our generation but
fostering the sentiments of our elders;
sentiments that are fervently imparted in his
workshops, a service he offers to any organization interested.
So what are they going to do with a man with a
heart like Turner, a mind like Douglas, a mouth
like Malcolm and a voice like Kris? Thats why I
am not dangerous, I am danger. I am not angry, I
am anger. Danger, Dead Man Walking (2004)
One thing is certain: the silencing of Amir
Sulaiman will take a lot more than handcuffs and
steel bars. It will take all the fascism they can muster.
Q: Who are your main influences, including those
beyond the profession of poetry?
A: Some of my influences are from the Black Arts
Movement of the Sixties and Seventies. People
like Amiri Baraka and Sonia Sanchez certainly
influenced my craft. However, Hip Hop lyricism
was more influential than these poets, as I
learned of the poets of the BAM long after I had
begun writing when I was a boy. Even more than
Hip Hop the language of the Quran, even in
translation, colored my speech and gave me the
high concepts with plain language.
Q: So, with that said, do you feel that it is the
poet or musicians obligation to provide critical
analysis of our society to his or her listeners?
A: I believe it is the musicians obligation to
be sincere. That is all. If he/she is sincerely
about justice then he must speak on it. If he is
not sincerely about justice Id rather him not
pretend. Rumi didnt speak much about social
injustice but his very personal poetry in turn
inspired a socially invested artist such as
myself. Everyone has a role. We dont have time for pretending.
Q: Who have you had the blessed opportunity to work with?
A: I have been blessed to work with some
phenomenal artists; some known and some unknown.
Of the known, The Last Poets, Mos Def, Talib
Kweli, KNaan, Chuck Treese many of the poets
from Russell Simmons Def Poetry cast.
MashaAllah, (by the will of God) Ive been blessed.
Q: Can Spoken Word and Hip Hop affect social change?
A: Spoken word and Hip Hop will bring about the
change when the artist in the genres becomes more
sincerely invested in the cause of the people. If
this happens a sincere unwavering investment
then the change will be irresistible.
Q: Your poetry has transcended inner city limits
and become a voice for oppressed people globally.
Is this what you mean by Bearing the Cross?
A: Yes, my investment is in this Ummah (global
Muslim community) and in the cause of the human
being everywhere. That is what my work is for. I
feel honored and privileged because to bear the
cross is not much different than carrying the flag.
Q: Why do you think intelligence agencies have
historically and still do target and harass certain artists?
A: Because we can cause change and they know in
their hearts that my power far exceeds their
power. Although all I have is a mic and they have
a billion dollar intelligence budget with planes,
choppers, guns, computers. And the artist just
talks or sings or writes. I can imagine its frustrating for them.
Q: How did 9/11 and its legislative aftermath change this?
A: Mostly, it just gave a legal front to a
behavior that has been going on for years. This
broad blanket surveillance is not new, now its just legal.
Q: By your own definition what are civil
liberties, what is free speech and how have these been perverted by the state?
A: I do not invest much time in learning the law.
There are good people who do and I take advice
from them. As far as I am concerned my right to
speak has been given to me by Allah (God). So it
would be a means of dishonoring myself to go to
the agents of this government and ask them for a
right that has already been given. My right to
speak cannot be taken away, it can only be
surrendered. I am not in the business of surrendering.
Q: What was your experience like with being under
surveillance and what sort of emotional toll, if
any, has that taken on you and your family?
A: My family and I believe in Allah. Our work is
in line with the commandments of Allah. After
this, fear is foolish. The power that I pull from
and the power that they, FBI, CIA, whomever and
wherever they pull thier power from are
incomparable. The threat that they place in me
and the threat of God upon them is incomparable.
Perhaps we should interview them about the
emotional toll. Here is my question: As you know
there is an angel on your right shoulder and an
angel on your left shoulder, you have been under
24 hour surveillance your whole life. Do you fear
Allah? Do you fear being counted among the
tyrants and oppressors? What is the emotional
toll of being part of an organization that
harasses and kills those who speak the Truth? I,
Amir Sulaiman, am not afraid. They have a greater right to fear than I.
Q: What are your thoughts on The Dixie Chicks
and Kanye Wests political statements?
A: As I am sure they would agree it was their
responsibility. Although they are not Muslim and
probably never heard the Hadith (prophetical
saying); they saw an evil act and wanted to
change it with their hands, since they couldnt
they condemned it with their tongues, and hated
it in their hearts. And as we know, that is the
weakest level of faith. Using wisdom is always
better than not using it. Wisdom is honey that
sweetens whatever you mix with it.
Q: How do non-Muslim fans react to your conviction with regards to Islam?
A: They respect it. Sometimes we, the Muslims,
play down our Islam thinking that the non-Muslims
will like us more or respect us more. It is the
opposite. The way of Muhammad (peace be upon him
and his family) garners respect wherever I go.
Q: On the album Cornerstore Folklore you revealed
a great deal of empathy for women and the
struggles that we face. Where is that compassion
coming from, given its rarity in our society and
especially in the Hip Hop generation?
A: My mama. She is the one most responsible for
my Deen (way of life), my conviction, my life.
Secondly, I find Muhammad (peace be upon him and
his family) especially sensitive to the needs of
women and I like to be on his Sunnah (example).
[]
Q: Are you concerned that Spoken Word is on the
verge of becoming commercialized just as Rap music has?
A: It will. I dont doubt that. But that does not
mean there will be no room for sincere artists.
The Truth has come and falsehood has vanished
and falsehood by its nature is a vanishing thing.
Q: Having grown up in the Hip Hop generation, how
would you characterize the changes weve seen in our Art?
A: The peoples hearts have become harder and
more disease ridden and it shows in the art we
create. We have a lot of work to do.
Q: Coming from the perspective of a writer and an
educator, how do you feel about the illiteracy
rates in the Ummah (global Muslim community) and
more importantly about the virtual illiteracy in
the urban communities across our country? How
might we encourage the youth to become more
literate and well read with hopes that they find empowerment and liberation?
A: SubhanAllah (Glory belongs to God), I wish I
had an answer to this problem. I dont know where
to start. The school systems are so toxic and
backwards it is hard to find a starting point. My
best option is [like] the saying each one teach
one. Tutor, start small schools, home school. Do
whatever you can to educate our children. Wa Allahu Alim (And God knows best).
Yahsmin Mayaan Binti BoBo, a community activist
of 9 years, writes freelance articles about
culture, music, politics and spirituality while
living in Oakland, California. Currently, she is
an undergraduate studying for a degree in
Political Science & International Relations.
<mailto:Yahsmin78 at yahoo.com>Yahsmin78 at yahoo.com.
The Freedom Archives
522 Valencia Street
San Francisco, CA 94110
(415) 863-9977
www.freedomarchives.org
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