[News] The Problem is Bigger than the Bushes
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Fri Jul 2 11:33:54 EDT 2004
Subject: The Problem is Bigger than the Bushes--ZNet
The Problem is Bigger than the Bushes
Reviewing Michael Moore's Fahrenheit 9/11
by Stephen Rosenthal and Junaid Ahmad; July 01, 2004
Michael Moore's Fahrenheit 9/11 opened this past weekend (June 25) to
record crowds and box office receipts across the United States. Moore is
the author of the bestselling book Stupid White Men and producer of the
award winning documentary Bowling for Columbine. The U.S. opening of
Fahrenheit 9/11 was preceded by considerable excitement and political
controversy. Released earlier in Europe to enthusiastic audiences opposed
to the U.S. invasion and occupation of Iraq, it received the prestigious
Palme D'Or (golden palm) award at the Cannes Film Festival. The internet
based Democratic Party fundraising machine MoveOn.org, to celebrate the
film opening, organized over 3000 "house parties" on June 28 where its
supporters heard Michael Moore on closed circuit television urge viewers to
"take back the White House" this November.
After Disney refused to distribute Fahrenheit 9/11 in the U.S., the
Independent Film Channel (IFC), which is owned by Cablevision and financed
by JP Morgan Chase and Citigroup, took over distribution and promotion of
the film. This struggle over the distribution of the film, along with the
film's obvious role in the 2004 election battle between the Republican and
Democratic Parties, reflects the deep division Bush's debacle in Iraq has
generated within the U.S. ruling class.
The large enthusiastic audiences in theaters throughout the U.S. and at the
MoveOn.org house parties suggest that opposition to the Bush administration
and to the war in Iraq has been growing considerably during the past
several months. The absence of Iraqi WMDs and any connection between Iraq
and Al Qaeda, the massive Iraqi insurgency against the occupation, the
growing U.S. casualties, the ballooning costs of the war and the shaky
economy have evidently had a cumulative effect in undermining mass support
for the war.
Viewers who have suffered through the nightmare four years of the Bush
administration and marched against the horrendous invasion and occupation
of Iraq are understandably hopeful that Fahrenheit 9/11 will help produce
"regime change" in the U.S. this fall. That may prove to be the case, but
will putting Democrat John Kerry in the White House lead to withdrawal of
U.S. troops, military bases, and profiteering corporations from Iraq,
repeal of the Patriot Act, or a reorientation of U.S. foreign policy away
from its drive for imperialist hegemony? And, if replacing Bush with Kerry
does not deliver any of these results, does Fahrenheit 9/11 at least
provide its viewers with the information and analysis they will need to
understand why the leadership of the Democratic Party has betrayed their
hopes and needs? We will attempt to answer these questions after first
summarizing Michael Moore's indictment of George W. Bush.
Michael Moore begins the film by defining George W. Bush as an illegitimate
President who stole the 2000 presidential election. He traces the family,
business, and political connections of the key players who made sure that
Bush won Florida's electoral votes. He shows us Al Gore, presiding over
the Senate in his last act as vice-president, using his gavel to silence
African American members of the House of Representatives, whose protest
against certifying the election results cannot go forward because not one
member of the all white U.S. Senate will sign their appeal against the
massive racist disenfranchisement of black voters in Florida.
Moore depicts Bush as an incompetent leader who spent 42% of the first
eight months of his presidency up to 9/11 on vacation. He cites findings
of the 9/11 commission confirming that the Bush administration virtually
ignored the threat of an Al Qaeda attack on the U.S. He then devotes a
significant part of the film to analyzing the intricate network of oil,
banking, and investment relationships between the Bush family and the
rulers of Saudi Arabia, including the Bin Laden family. He informs us that
George Bush senior is a major figure in the Carlyle Group, which has major
investments in several of the biggest corporate military contractors. He
describes how the Taliban rulers of Afghanistan were invited to Texas in an
effort to negotiate the building of a natural gas pipeline through
Afghanistan from Turkmenistan to the Indian Ocean.
Moore emphasizes how members of the Bin Laden family and other influential
Saudis were allowed to fly out of the U.S. after 9/11 at a time when U.S.
air space was otherwise shut down. Although Moore never explicitly states
why he is telling this fairly detailed story, it seems pretty clear that he
is trying to demonstrate that family business interests made Bush
determined to invade first Afghanistan and then Iraq, rather than go after
the country from which most of the 9/11 hijackers came. In other words,
Moore is suggesting that Bush and his cronies put their personal interests
above the national security of the United States.
Moore then devotes most of the rest of the film to the U.S. war on
Iraq. He satirizes Bush's "coalition of the willing" by listing some of
the militarily insignificant countries that did agree to join the coalition
of invaders of Iraq. He briefly reviews the now thoroughly exposed lies
Bush and his pals presented to gain support for invading Iraq. He
dramatizes the human consequences of the war for the tortured and bombed
Iraqis, for the American military soldiers who are fighting and dying in
this preemptive war, and for the families, both Iraqi and American, who are
devastated by the war's deadly destruction. He provides footage of
meetings where corporate leaders eagerly discuss the profits they expect to
reap from the exploitation and reconstruction of Iraq.
Most poignant is the story told by Lila Lipscomb, mother of Michael
Pederson, killed in Iraq after Bush landed on an aircraft carrier and
declared victory in Iraq. Lipscomb lives in Moore's hometown, Flint,
Michigan. Lipscomb describes herself as a "conservative Democrat," who
used to despise anti-war demonstrators. A white woman married to a black
man, she has fought to survive amidst the economic wreckage left behind in
Flint by General Motors in its search for cheaper labor and higher
profits. She encouraged her daughter and son to enlist in the army, and
she reads from her son's final letter home, in which he says of Bush, "He
got us out here for nothing." At the end of the film, she visits
Washington, gets as close to the White House as she can, and pours out her
anger at its occupant. Her obviously authentic testimony is perhaps
Moore's most potent ammunition in Fahrenheit 9/11.
In stark juxtaposition to Lila Lipscomb are the Congresspersons who scurry
away from Moore when he tries to urge them to persuade their sons and
daughters to enlist in the armed forces, and the fat cats attending one of
Bush's fundraisers whom Bush calls his "base." By the end of the film, we
see the immense contrast between the Bush crowd, who have launched a war to
increase their wealth, and the ordinary working class people, who, as Moore
observes, always make the biggest sacrifices in wars.
In his speech to the more than thirty thousand people attending MoveOn.org
house parties last night (June 28), Michael Moore stated his disappointment
that Kerry had supported the U.S. invasion of Iraq. He suggested that
Kerry may lose the election unless he responds to growing popular
opposition to the war. He hopes Kerry, if elected, will withdraw U.S.
troops from Iraq during the first 100 days of his administration. Let's
examine Moore's analysis of the Bush Administration, the war, and the
Democratic Party.
The Theft of 2000 Election. Fahrenheit 9/11 begins with an implicit
indictment of both Republicans and Democrats and ends with an implicit
indictment of the system of inequality in the U.S. But in between, the
film concentrates virtually all of its fire on the Bush crowd and the
Republican Party.
Republicans stole the 2000 election with the spineless complicity of the
Democrats. Not one Democratic Senator is willing to sign the appeal
demanded by African American members of the House of Representatives. But
why did the Democrats passively accept the massive disenfranchisement of
Black voters in Florida (and other states) in 2000? Moore does not attempt
to explain the Democrat's spinelessness. The answer lies in the fact that
the Democrats colluded extensively in Black disenfranchisement. Democratic
majorities in Congress and the Democratic president Bill Clinton repeatedly
proposed and voted for legislation that resulted in the massive
criminalization of African Americans. Christian Parenti wrote in an
article,
"<http://articles.findarticles.com/p/articles/mi_m1132/is_3_53/ai_77150227>The
'New' Criminal Justice System: State Repression from 1968 to 2001," Monthly
Review, July 2001:
During his presidency, Clinton signed the 1994 Violent Crime Control And
Law Enforcement Act, which offered up a cop's cornucopia of $30.2 billion
in federal cash from which we got Clinton's one hundred thousand new police
officers, scores of new prisons, and SWAT teams in even small New England
towns...(In 1996) Clinton gave us the Anti-Terrorism and Effective Death
Penalty Act, which massively expanded the use of the death penalty and
eviscerated federal habeas corpus The sad election year of 1996 also
delivered the ideologically named "Illegal Immigration Reform and Immigrant
Responsibility Act," which eliminated the undocumented person's right to
due process and helped bring Immigration and Naturalization Service (INS)
funding up to four billion annually. These were the Clinton
administration's demolition devices, strategically placed to take out what
little remained for prisoners in the Bill of Rights.
These acts contributed to the continuing rapid expansion of the prison
system, to the disproportionate incarceration of African Americans, and to
their disenfranchisement as convicted felons. Whites make up over
three-fourths of the violators of drug laws, but the criminal justice
system has, for the past three decades, under both Republican and
Democratic administrations, imprisoned millions of African
Americans. Moreover, those prisoners have increasingly been subjected to
the same kinds of torture that took place at Abu Ghraib, sometimes even by
the very same guards! Neither Al Gore nor the 100 white
Senators-Republicans as well as Democrats-who themselves supported this
repressive racist legislation, were going to put their signature on the
appeal of black Representatives. The Democrats were spineless because they
were as guilty as the Republicans.
The U.S./Saudi Connection. This cozy relationship is much bigger than the
family and business ties between the Bushes and the Bin Ladens that Michael
Moore describes. Before the end of World War II, Democratic President
Franklin D. Roosevelt and the U.S. establishment as a whole decided that
U.S. control of Saudi oil and U.S. protection of the Saudi royal family
would be the essential linchpin of U.S. global hegemony in the post-war
world (Michael Klare,
"<http://www.thenation.com/doc.mhtml?i=20011105&s=klare>The Geopolitics of
War," The Nation, 10/18/01 ). This strategic alliance did not begin with
Vice President Cheney's secretive 2001 energy commission. It has been the
unwavering policy of every Democratic and Republican President for sixty
years. That helps to explain why the entire U.S. Government, including
both houses of Congress, both political parties, and the corporate media
signed on to Bush's plan for invading and occupying Iraq. Now that the
policy has become a disaster, politicians and the media are quick to
proclaim that they were misled by Bush's lies, but they knew the truth from
the beginning.
The Bush/Bin Laden Terrorist Alliance. Like the U.S./Saudi alliance, the
alliance between the U.S. and the international terrorist brigades now
dubbed Al Qaeda has also been more than the corrupt money grab by Bush and
his oil business cronies, as described in Fahrenheit 9/11. It too has been
a bi-partisan strategy of the U.S. ruling class. It was begun by
Democratic President Jimmy Carter in 1979 as a way to draw the Soviet Union
into a quagmire in Afghanistan. The CIA and its Pakistani counterpart
trained tens of thousands of Islamic terrorists to invade and overthrow the
pro-Soviet government of Afghanistan. Even before that, the U.S., under
both Republican and Democratic Administrations during the 1970s, had
undertaken the same strategy in Southern Africa. The U.S., together with
its ally the apartheid government of South Africa, organized, trained,
armed, and financed terrorist groups in Angola (UNITA) and Mozambique
(RENAMO) to attack civilian populations and undermine unfriendly
governments. And, during the 1980s, the U.S. did the same thing in Central
America with the Nicaraguan Contras. In Central America and in
Afghanistan, the U.S. partly financed these terrorist operations with
profits from drug cartels run by the CIA's terrorist proxy forces. (Mahmood
Mamdani, "<http://www.ssrc.org/sept11/essays/mamdani.htm>Good Muslim, Bad
Muslim: An African Perspective."). Thus, it was not only Bush and his
cronies but the entire U.S. establishment that created terrorist proxies as
instruments of U.S. foreign policy during the past three decades. John
Kerry knows all this quite well. He was on a Senate committee during the
1980s that investigated it.
Between the Bushes: Cinton's Iraq policies. It is also a fact that Bill
Clinton's policies toward Iraq, which Fahrenheit 9/11 never discusses, were
as murderous as those of George W. Bush. The Clinton Administration
enforced the UN sanctions for eight years, which prevented Iraq from
repairing its infrastructure that was destroyed by the US during the first
Iraq war (1990-1991). Unable to repair its electrical power and water
purification system, unable to import medicines and hospital supplies, Iraq
became a death zone for its civilian population, especially its children
and the elderly. UN studies found that approximately 5000 children were
dying every month throughout the 1990s as a result of these sanctions. By
the end of the decade, an estimated 1.2 million Iraqis died as a
consequence of the U.S./British enforced sanctions. When Clinton's
secretary of state Madeleine Albright was asked on television whether the
death of half a million Iraqi children was too high a price to pay for U.S.
opposition to the regime of Saddam Hussein, Albright replied that "the
price was worth it." A Pentagon study early in the 1990s projected mass
civilian deaths in Iraq as a result of the sanctions, so these genocidal
results were foreseen and deliberate. Denying Iraqi civilians access to
clean water was a form of biological and chemical warfare, a weapon of mass
destruction unleashed against the Iraqi population under the imprimatur of
the United Nations and enforced by regular bombing raids carried out by
U.S. and British forces. Why didn't Michael Moore mention any of this in
Fahrenheit 9/11? It certainly might help to explain why Iraqis did not
welcome the U.S. as liberators, no matter how much they despised Saddam
Hussein's regime. But it would also lead the audience to recognize that
both Republicans and Democrats have pursued obscenely immoral policies
toward Iraq.
A War for Empire, not just Bush's war. If Democrats signed on to the war
not because they were spineless or misinformed, and if the war was fought
in the collective interests of the entire U.S. establishment, not just the
private interests of the Bush family and their friends, then what was
really behind the U.S. invasion and occupation of Iraq?
Addressing this question could obviously require a very lengthy essay, but
we will try to summarize the central points. Numerous well informed
critics of the war have written many excellent articles and books on this
subject during the past year and one half. (We suggest
<http://www.rupe-india.org/34/contents.html>Behind the Invasion of Iraq, by
the Research Unit on Political Economy, from Mumbai, India, published by
Monthly Review Press, as one of the best analyses of this
subject.) Distilling what they have said, we come to the following analysis.
First, we define wars for imperial domination as wars undertaken as part of
the profit driven struggle by capitalist ruling classes for control of raw
materials, cheap labor, and markets. The U.S. seeks to consolidate its
hold on the Middle East because that region is strategically the most
important of all in U.S. efforts to maintain world domination in a period
of global economic crisis and intensifying rivalry amongst the leading
world powers. The Middle East contains two-thirds of all known petroleum
supplies. Oil is the lifeblood of all advanced industrial economies and is
crucial for the exercise of military power. Not only is the U.S. importing
an increasing percentage of its oil (currently about 55%). More
importantly, the economies of the European Union and Asia are increasingly
dependent on oil imports from the Middle East. U.S. control over Middle
East oil provides crucial leverage and influence over its competitors such
as Germany, France, China, and Japan, who have very limited domestic
supplies of oil and must import oil from the Middle East.
During the past three decades, the U.S. has declined economically relative
to its major competitors. With neo-liberalism now being fully embraced by
Russia and China, there are more competitors, and there is no communist
enemy against whom the increasingly shaky trans-Atlantic alliance can
unite. Thus, a declining U.S. hegemony faces increasing competition from
its rivals in Europe and Asia. Most of the rest of the world more or less
sees current global conflicts in this way, and thus they view the U.S.
attempt to seize Iraq as an aggressive attempt by the U.S. to solve its
worsening economic problems through military aggression. The U.S. attempt
to prevent its competitors from gaining a foothold in the Iraqi oil
business was clearly not in the interests of the French, German, Russian,
Chinese, or Japanese, which explains why the U.S. could not get those
governments to sign on to the U.S. seizure of Iraq, no matter how much
bribery and intimidation the U.S. tried to apply.
The struggle to gain hegemony in the world capitalist system was at the
root of the two world wars of the 20th century. The U.S. invasion and
occupation of Iraq is a war not only for the maintenance of U.S. hegemony,
but for the strengthening and enlarging of an Empire. That is something
much bigger than the corrupt war profiteering of Halliburton or the sleazy
relationships between the Saudi ruling class and the Bush family. It is
much bigger than the ideological fantasies of the clique of
neo-conservatives in the Bush Administration. Michael Moore has revealed a
limited aspect of a much larger problem. The Bush clique exemplifies the
true character of capitalism in this period, but the problem is the system
as a whole, not just a few arrogant corrupt liars.
Israel: Unmentioned in Fahrenheit 9/11. Michael Moore has spoken out
against the Israeli occupation of Palestinian land and dedicated his most
recent book to Rachel Corrie, the young American woman who was crushed to
death last year by an Israeli bulldozer, or rather an American bulldozer
driven by an Israeli, as she attempted to prevent the destruction of
Palestinian homes and olive orchards. A film on U.S. policy in the Middle
East, the war on terror, and the invasion and occupation of Iraq cannot
give its audience an understanding of what is going on in the world without
discussing the U.S./Israeli alliance.
Since the 1960s Israel has played a strategic role in helping the U.S.
dominate the Middle East and protect the undemocratic Arab regimes in Saudi
Arabia, Egypt, Jordan, and other Arab countries. The U.S. provides Israel
with billions of dollars of assistance annually and defends Israel against
all criticisms and threats. Israel has a massive arsenal of weapons of
mass destruction, including several hundred nuclear weapons. Israel
occupies the territory of neighboring countries in defiance of numerous
United Nations resolutions. Israel is currently working extensively in
Iraq with the Kurdish minority in the northern part of the country. Much
Arab anger at the U.S. is a result of U.S. policy toward Israel. The U.S.,
in its brutal occupation of Iraq, has in many ways emulated Israeli tactics
toward Palestinians. The barbarism inherent in the twin occupations of the
Middle East, Israel of Palestine and the U.S. of Iraq, is the source of
"terrorism" in and from that region.
Both Bush and Kerry and the rest of the leadership of both parties support
the cruelest Israeli policies against the Palestinians, including Israel's
current efforts to build an apartheid style wall to imprison millions of
Palestinians within shrinking impoverished ghettos. Michael Moore may have
felt that the inclusion of any criticism of U.S. policy toward Israel would
have been a kiss of death for Fahrenheit 9/11 and his efforts to defeat
George W. Bush. However, the exclusion of this subject helps sustain the
broader injustice of U.S. policies throughout the Middle East and paves the
way for a Kerry Administration to continue the policies of all U.S.
Administrations toward Israel.
Now that we have laid out these criticisms of Fahrenheit 9/11, the reader
may object that a two hour documentary could not possibly have educated its
audience on all of the issues we have raised in this review. That is a
fair comment. But Michael Moore could have made a much better attempt to
expose the role of both Republicans and Democrats in the U.S. invasion and
occupation of Iraq. It does a disservice to the anti-war movement in the
U.S. and around the world to misdirect our anger away from the system as a
whole onto a single ruling class family or one political faction of the
ruling class. It particularly does a disservice to the tens of millions of
oppressed people around the world who will continue to be assaulted by the
U.S. bid for global domination under a Democratic Kerry Administration. It
encourages us to devote too much energy to getting out the vote on one day,
instead of building a mass movement that fights every day against the
Empire and its horrors.
Finally, it could be objected that, if Michael Moore had made the
documentary film we wanted, it would not be showing in movie houses all
over the United States. We readily agree. And that tells us a lot about
the way the American establishment limits the range of acceptable political
criticism in the U.S. and funnels protest into the corporate-controlled
Republican and Democratic Parties.
Steven Rosenthal is a professor of Sociology at Hampton University and
lives in Norfolk, VA. He can be reached
at: <mailto:steve-rosenthal at cox.net>steve-rosenthal at cox.net. Junaid Ahmad
is a member of the Progressive Muslims Network and works with the Center
for Progressive Islam. He can be reached
at: <mailto:Junaid.ahmad at cox.net>Junaid.ahmad at cox.net.
The Freedom Archives
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